Michael Haneke's Cinema : : The Ethic of the Image / / Catherine Wheatley.
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2009] ©2009 |
Year of Publication: | 2009 |
Language: | English |
Series: | Film Europa ;
7 |
Online Access: | |
Physical Description: | 1 online resource (234 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780857455468 |
---|---|
ctrlnum |
(DE-B1597)637243 |
collection |
bib_alma |
record_format |
marc |
spelling |
Wheatley, Catherine, author. aut http://id.loc.gov/vocabulary/relators/aut Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley. New York; Oxford : Berghahn Books, [2009] ©2009 1 online resource (234 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Europa ; 7 Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- DECLARATION -- A NOTE ON THE TITLES -- ACKNOWLEDGEMENTS -- INTRODUCTION -- Chapter 1 THE LAST MORALIST? -- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- Chapter 5 SHAME AND GUILT Caché -- CONCLUSION -- Appendix I MICHAEL HANEKE FILMOGRAPHY -- Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke’s eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke’s ‘ethical cinema’ and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke’s films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 9783110998283 https://doi.org/10.1515/9780857455468 https://www.degruyter.com/isbn/9780857455468 Cover https://www.degruyter.com/document/cover/isbn/9780857455468/original |
language |
English |
format |
eBook |
author |
Wheatley, Catherine, Wheatley, Catherine, |
spellingShingle |
Wheatley, Catherine, Wheatley, Catherine, Michael Haneke's Cinema : The Ethic of the Image / Film Europa ; Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- DECLARATION -- A NOTE ON THE TITLES -- ACKNOWLEDGEMENTS -- INTRODUCTION -- Chapter 1 THE LAST MORALIST? -- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- Chapter 5 SHAME AND GUILT Caché -- CONCLUSION -- Appendix I MICHAEL HANEKE FILMOGRAPHY -- Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- BIBLIOGRAPHY -- INDEX |
author_facet |
Wheatley, Catherine, Wheatley, Catherine, |
author_variant |
c w cw c w cw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wheatley, Catherine, |
title |
Michael Haneke's Cinema : The Ethic of the Image / |
title_sub |
The Ethic of the Image / |
title_full |
Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley. |
title_fullStr |
Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley. |
title_full_unstemmed |
Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley. |
title_auth |
Michael Haneke's Cinema : The Ethic of the Image / |
title_alt |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- DECLARATION -- A NOTE ON THE TITLES -- ACKNOWLEDGEMENTS -- INTRODUCTION -- Chapter 1 THE LAST MORALIST? -- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- Chapter 5 SHAME AND GUILT Caché -- CONCLUSION -- Appendix I MICHAEL HANEKE FILMOGRAPHY -- Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- BIBLIOGRAPHY -- INDEX |
title_new |
Michael Haneke's Cinema : |
title_sort |
michael haneke's cinema : the ethic of the image / |
series |
Film Europa ; |
series2 |
Film Europa ; |
publisher |
Berghahn Books, |
publishDate |
2009 |
physical |
1 online resource (234 p.) |
contents |
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- DECLARATION -- A NOTE ON THE TITLES -- ACKNOWLEDGEMENTS -- INTRODUCTION -- Chapter 1 THE LAST MORALIST? -- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- Chapter 5 SHAME AND GUILT Caché -- CONCLUSION -- Appendix I MICHAEL HANEKE FILMOGRAPHY -- Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- BIBLIOGRAPHY -- INDEX |
isbn |
9780857455468 9783110998283 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 H36 W44 42011 |
url |
https://doi.org/10.1515/9780857455468 https://www.degruyter.com/isbn/9780857455468 https://www.degruyter.com/document/cover/isbn/9780857455468/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43023/3092 |
dewey-sort |
3791.43023 43092 |
dewey-raw |
791.43023/3092 |
dewey-search |
791.43023/3092 |
doi_str_mv |
10.1515/9780857455468 |
work_keys_str_mv |
AT wheatleycatherine michaelhanekescinematheethicoftheimage |
status_str |
n |
ids_txt_mv |
(DE-B1597)637243 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
is_hierarchy_title |
Michael Haneke's Cinema : The Ethic of the Image / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
_version_ |
1770176618937974784 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03960nam a22006375i 4500</leader><controlfield tag="001">9780857455468</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20221107062033.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221107t20092009nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780857455468</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780857455468</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)637243</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3 .H36 W44 2011</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43023/3092</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wheatley, Catherine, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Michael Haneke's Cinema :</subfield><subfield code="b">The Ethic of the Image /</subfield><subfield code="c">Catherine Wheatley.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York; </subfield><subfield code="a">Oxford : </subfield><subfield code="b">Berghahn Books, </subfield><subfield code="c">[2009]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (234 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film Europa ;</subfield><subfield code="v">7</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">LIST OF ILLUSTRATIONS -- </subfield><subfield code="t">DECLARATION -- </subfield><subfield code="t">A NOTE ON THE TITLES -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">Chapter 1 THE LAST MORALIST? -- </subfield><subfield code="t">Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- </subfield><subfield code="t">Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- </subfield><subfield code="t">Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- </subfield><subfield code="t">Chapter 5 SHAME AND GUILT Caché -- </subfield><subfield code="t">CONCLUSION -- </subfield><subfield code="t">Appendix I MICHAEL HANEKE FILMOGRAPHY -- </subfield><subfield code="t">Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- </subfield><subfield code="t">BIBLIOGRAPHY -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke’s eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke’s ‘ethical cinema’ and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke’s films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Berghahn Books Complete eBook-Package 2000-2013</subfield><subfield code="z">9783110998283</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780857455468</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780857455468</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780857455468/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099828-3 Berghahn Books Complete eBook-Package 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |