Michael Haneke's Cinema : : The Ethic of the Image / / Catherine Wheatley.

Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
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Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2009]
©2009
Year of Publication:2009
Language:English
Series:Film Europa ; 7
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Physical Description:1 online resource (234 p.)
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id 9780857455468
ctrlnum (DE-B1597)637243
collection bib_alma
record_format marc
spelling Wheatley, Catherine, author. aut http://id.loc.gov/vocabulary/relators/aut
Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley.
New York; Oxford : Berghahn Books, [2009]
©2009
1 online resource (234 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Film Europa ; 7
Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS -- DECLARATION -- A NOTE ON THE TITLES -- ACKNOWLEDGEMENTS -- INTRODUCTION -- Chapter 1 THE LAST MORALIST? -- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls -- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games -- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup -- Chapter 5 SHAME AND GUILT Caché -- CONCLUSION -- Appendix I MICHAEL HANEKE FILMOGRAPHY -- Appendix II MICHAEL HANEKE AT THE BOX OFFICE -- BIBLIOGRAPHY -- INDEX
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke’s eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke’s ‘ethical cinema’ and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke’s films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 9783110998283
https://doi.org/10.1515/9780857455468
https://www.degruyter.com/isbn/9780857455468
Cover https://www.degruyter.com/document/cover/isbn/9780857455468/original
language English
format eBook
author Wheatley, Catherine,
Wheatley, Catherine,
spellingShingle Wheatley, Catherine,
Wheatley, Catherine,
Michael Haneke's Cinema : The Ethic of the Image /
Film Europa ;
Frontmatter --
CONTENTS --
LIST OF ILLUSTRATIONS --
DECLARATION --
A NOTE ON THE TITLES --
ACKNOWLEDGEMENTS --
INTRODUCTION --
Chapter 1 THE LAST MORALIST? --
Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls --
Chapter 3 THE ETHICS OF AGGRESSION: Funny Games --
Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup --
Chapter 5 SHAME AND GUILT Caché --
CONCLUSION --
Appendix I MICHAEL HANEKE FILMOGRAPHY --
Appendix II MICHAEL HANEKE AT THE BOX OFFICE --
BIBLIOGRAPHY --
INDEX
author_facet Wheatley, Catherine,
Wheatley, Catherine,
author_variant c w cw
c w cw
author_role VerfasserIn
VerfasserIn
author_sort Wheatley, Catherine,
title Michael Haneke's Cinema : The Ethic of the Image /
title_sub The Ethic of the Image /
title_full Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley.
title_fullStr Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley.
title_full_unstemmed Michael Haneke's Cinema : The Ethic of the Image / Catherine Wheatley.
title_auth Michael Haneke's Cinema : The Ethic of the Image /
title_alt Frontmatter --
CONTENTS --
LIST OF ILLUSTRATIONS --
DECLARATION --
A NOTE ON THE TITLES --
ACKNOWLEDGEMENTS --
INTRODUCTION --
Chapter 1 THE LAST MORALIST? --
Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls --
Chapter 3 THE ETHICS OF AGGRESSION: Funny Games --
Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup --
Chapter 5 SHAME AND GUILT Caché --
CONCLUSION --
Appendix I MICHAEL HANEKE FILMOGRAPHY --
Appendix II MICHAEL HANEKE AT THE BOX OFFICE --
BIBLIOGRAPHY --
INDEX
title_new Michael Haneke's Cinema :
title_sort michael haneke's cinema : the ethic of the image /
series Film Europa ;
series2 Film Europa ;
publisher Berghahn Books,
publishDate 2009
physical 1 online resource (234 p.)
contents Frontmatter --
CONTENTS --
LIST OF ILLUSTRATIONS --
DECLARATION --
A NOTE ON THE TITLES --
ACKNOWLEDGEMENTS --
INTRODUCTION --
Chapter 1 THE LAST MORALIST? --
Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls --
Chapter 3 THE ETHICS OF AGGRESSION: Funny Games --
Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup --
Chapter 5 SHAME AND GUILT Caché --
CONCLUSION --
Appendix I MICHAEL HANEKE FILMOGRAPHY --
Appendix II MICHAEL HANEKE AT THE BOX OFFICE --
BIBLIOGRAPHY --
INDEX
isbn 9780857455468
9783110998283
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3 H36 W44 42011
url https://doi.org/10.1515/9780857455468
https://www.degruyter.com/isbn/9780857455468
https://www.degruyter.com/document/cover/isbn/9780857455468/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43023/3092
dewey-sort 3791.43023 43092
dewey-raw 791.43023/3092
dewey-search 791.43023/3092
doi_str_mv 10.1515/9780857455468
work_keys_str_mv AT wheatleycatherine michaelhanekescinematheethicoftheimage
status_str n
ids_txt_mv (DE-B1597)637243
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
is_hierarchy_title Michael Haneke's Cinema : The Ethic of the Image /
container_title Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
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