Existentialism and Contemporary Cinema : : A Sartrean Perspective / / ed. by Jean-Pierre Boulé, Enda McCaffrey.
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tra...
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Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2011] ©2011 |
Year of Publication: | 2011 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (224 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION
- PART I THE CALL TO FREEDOM
- 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM
- 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM
- 3 NAKED, BAD FAITH AND MASCULINITY
- 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE
- 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS
- PART II FILMS OF SITUATION
- 6 BEING – LOST IN TRANSLATION
- 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME
- 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN
- 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE
- 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR
- 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION
- NOTES ON CONTRIBUTORS
- INDEX