Existentialism and Contemporary Cinema : : A Sartrean Perspective / / ed. by Jean-Pierre Boulé, Enda McCaffrey.

At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tra...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
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HerausgeberIn:
Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2011]
©2011
Year of Publication:2011
Language:English
Online Access:
Physical Description:1 online resource (224 p.)
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • ACKNOWLEDGEMENTS
  • INTRODUCTION
  • PART I THE CALL TO FREEDOM
  • 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM
  • 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM
  • 3 NAKED, BAD FAITH AND MASCULINITY
  • 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE
  • 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS
  • PART II FILMS OF SITUATION
  • 6 BEING – LOST IN TRANSLATION
  • 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME
  • 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN
  • 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE
  • 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR
  • 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION
  • NOTES ON CONTRIBUTORS
  • INDEX