Existentialism and Contemporary Cinema : : A Sartrean Perspective / / ed. by Jean-Pierre Boulé, Enda McCaffrey.
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tra...
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2011] ©2011 |
Year of Publication: | 2011 |
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Existentialism and Contemporary Cinema : A Sartrean Perspective / ed. by Jean-Pierre Boulé, Enda McCaffrey. New York; Oxford : Berghahn Books, [2011] ©2011 1 online resource (224 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I THE CALL TO FREEDOM -- 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM -- 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM -- 3 NAKED, BAD FAITH AND MASCULINITY -- 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE -- 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS -- PART II FILMS OF SITUATION -- 6 BEING – LOST IN TRANSLATION -- 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME -- 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN -- 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE -- 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR -- 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION -- NOTES ON CONTRIBUTORS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre’s philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre’s work for the first time and to those who would like to read films within an existentialist perspective. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Existentialism in motion pictures. Philosophy in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Boulé, Jean-Pierre, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boulé, Jean-Pierre, editor. edt http://id.loc.gov/vocabulary/relators/edt Cooper, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Darnell, Michelle R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Falzon, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Martin, Tom, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCaffrey, Enda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCaffrey, Enda, editor. edt http://id.loc.gov/vocabulary/relators/edt Nicholls, Tracey, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rolls, Alistair, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stanton, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stoehr, Kevin L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Patrick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 9783110998283 https://doi.org/10.1515/9780857453211 https://www.degruyter.com/isbn/9780857453211 Cover https://www.degruyter.com/document/cover/isbn/9780857453211/original |
language |
English |
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author2 |
Boulé, Jean-Pierre, Boulé, Jean-Pierre, Boulé, Jean-Pierre, Boulé, Jean-Pierre, Cooper, Sarah, Cooper, Sarah, Darnell, Michelle R., Darnell, Michelle R., Falzon, Christopher, Falzon, Christopher, Martin, Tom, Martin, Tom, McCaffrey, Enda, McCaffrey, Enda, McCaffrey, Enda, McCaffrey, Enda, Nicholls, Tracey, Nicholls, Tracey, Rolls, Alistair, Rolls, Alistair, Stanton, Mark, Stanton, Mark, Stoehr, Kevin L., Stoehr, Kevin L., Williams, Patrick, Williams, Patrick, |
author_facet |
Boulé, Jean-Pierre, Boulé, Jean-Pierre, Boulé, Jean-Pierre, Boulé, Jean-Pierre, Cooper, Sarah, Cooper, Sarah, Darnell, Michelle R., Darnell, Michelle R., Falzon, Christopher, Falzon, Christopher, Martin, Tom, Martin, Tom, McCaffrey, Enda, McCaffrey, Enda, McCaffrey, Enda, McCaffrey, Enda, Nicholls, Tracey, Nicholls, Tracey, Rolls, Alistair, Rolls, Alistair, Stanton, Mark, Stanton, Mark, Stoehr, Kevin L., Stoehr, Kevin L., Williams, Patrick, Williams, Patrick, |
author2_variant |
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MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Boulé, Jean-Pierre, |
title |
Existentialism and Contemporary Cinema : A Sartrean Perspective / |
spellingShingle |
Existentialism and Contemporary Cinema : A Sartrean Perspective / Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I THE CALL TO FREEDOM -- 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM -- 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM -- 3 NAKED, BAD FAITH AND MASCULINITY -- 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE -- 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS -- PART II FILMS OF SITUATION -- 6 BEING – LOST IN TRANSLATION -- 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME -- 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN -- 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE -- 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR -- 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION -- NOTES ON CONTRIBUTORS -- INDEX |
title_sub |
A Sartrean Perspective / |
title_full |
Existentialism and Contemporary Cinema : A Sartrean Perspective / ed. by Jean-Pierre Boulé, Enda McCaffrey. |
title_fullStr |
Existentialism and Contemporary Cinema : A Sartrean Perspective / ed. by Jean-Pierre Boulé, Enda McCaffrey. |
title_full_unstemmed |
Existentialism and Contemporary Cinema : A Sartrean Perspective / ed. by Jean-Pierre Boulé, Enda McCaffrey. |
title_auth |
Existentialism and Contemporary Cinema : A Sartrean Perspective / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I THE CALL TO FREEDOM -- 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM -- 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM -- 3 NAKED, BAD FAITH AND MASCULINITY -- 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE -- 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS -- PART II FILMS OF SITUATION -- 6 BEING – LOST IN TRANSLATION -- 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME -- 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN -- 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE -- 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR -- 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION -- NOTES ON CONTRIBUTORS -- INDEX |
title_new |
Existentialism and Contemporary Cinema : |
title_sort |
existentialism and contemporary cinema : a sartrean perspective / |
publisher |
Berghahn Books, |
publishDate |
2011 |
physical |
1 online resource (224 p.) |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I THE CALL TO FREEDOM -- 1 PETER WEIR’S THE TRUMAN SHOW AND SARTREAN FREEDOM -- 2 MICHAEL HANEKE AND THE CONSEQUENCES OF RADICAL FREEDOM -- 3 NAKED, BAD FAITH AND MASCULINITY -- 4 PURSUITS OF TRANSCENDENCE IN THE MAN WHO WASN’T THERE -- 5 LORNA’S SILENCE: SARTRE AND THE DARDENNE BROTHERS -- PART II FILMS OF SITUATION -- 6 BEING – LOST IN TRANSLATION -- 7 IF I SHOULD WAKE BEFORE I DIE: EXISTENTIALISM AS A POLITICAL CALL TO ARMS IN THE CRYING GAME -- 8 CRIMES OF PASSION, FREEDOM AND A CLASH OF SARTREAN MORALITIES IN THE COEN BROTHERS’ NO COUNTRY FOR OLD MEN -- 9 ‘AN ACT OF CONFIDENCE IN THE FREEDOM OF MEN’: JEAN-PAUL SARTRE AND OUSMANE SEMBENE -- 10 CÉDRIC KLAPISCH’S THE SPANISH APARTMENT AND RUSSIAN DOLLS IN NAUSEA’S MIRROR -- 11 BAZ LUHRMANN’S WILLIAM SHAKESPEARE’S ROMEO + JULIET: THE NAUSEOUS ART OF ADAPTATION -- NOTES ON CONTRIBUTORS -- INDEX |
isbn |
9780857453211 9783110998283 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 E945 E94 42011 |
url |
https://doi.org/10.1515/9780857453211 https://www.degruyter.com/isbn/9780857453211 https://www.degruyter.com/document/cover/isbn/9780857453211/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9780857453211 |
work_keys_str_mv |
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ids_txt_mv |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
is_hierarchy_title |
Existentialism and Contemporary Cinema : A Sartrean Perspective / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
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