Passing, Posing, Persuasion : : Cultural Production and Coloniality in Japan's East Asian Empire / / ed. by Christina Yi, Andre Haag, Catherine Ryu.

• MitwirkendeR: Ericson, Joan E.,; Haag, Andre,; Kang, Yuni,; Kleeman, Faye Yuan,; Kono, Kimberly,; Kwon, Nayoung Aimee,; Textor, Cindi,; Tierney, Robert,; Yamasaki, Nobuko Ishitate-Okunomiya,
• HerausgeberIn: Haag, Andre,; Ryu, Catherine,; Yi, Christina,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2023]; 2024
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (212 p.) :; 5 b&w illustrations

Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjec...

Table of Contents

• Frontmatter
• CONTENTS
• ACKNOWLEDGMENTS
• 1. Introduction: Passing, Posing, and Persuasion in the Japanese Empire
• 2. A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan
• 3. Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent
• 4 Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan
• 5 Pluralizing Passing and Transpacific Afro-Asian Solidarities Passings and Impasses across Colonial Korea and the Segregated United States
• 6. Crafting the Colonial " Japanese Child"
• 7. A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan- Asian Femininity
• 8. Ri Kōran: Posing and Passing as a "Cultured Native"
• 9. In the Shadow of Sӧshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August
• Index
• Contributors