Passing, Posing, Persuasion : : Cultural Production and Coloniality in Japan's East Asian Empire / / ed. by Christina Yi, Andre Haag, Catherine Ryu.
Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjec...
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2023] 2024 |
Year of Publication: | 2023 |
Language: | English |
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Physical Description: | 1 online resource (212 p.) :; 5 b&w illustrations |
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Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / ed. by Christina Yi, Andre Haag, Catherine Ryu. Honolulu : University of Hawaii Press, [2023] 2024 1 online resource (212 p.) : 5 b&w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Introduction: Passing, Posing, and Persuasion in the Japanese Empire -- 2. A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan -- 3. Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent -- 4 Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan -- 5 Pluralizing Passing and Transpacific Afro-Asian Solidarities Passings and Impasses across Colonial Korea and the Segregated United States -- 6. Crafting the Colonial " Japanese Child" -- 7. A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan- Asian Femininity -- 8. Ri Kōran: Posing and Passing as a "Cultured Native" -- 9. In the Shadow of Sӧshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August -- Index -- Contributors restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors-in multiple senses of the word-from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) Ethnicity Japan Colonies History 20th century. Japanese literature Shōwa period, 1926-1989 History and criticism. Japanese literature Shōwa period, 1926-1989 History and criticism. Literature in propaganda Japan History 20th century. Passing (Identity) Japan Colonies History 20th century. Propaganda, Japanese Japan Colonies History 20th century. HISTORY / Asia / Japan. bisacsh Ericson, Joan E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haag, Andre, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haag, Andre, editor. edt http://id.loc.gov/vocabulary/relators/edt Kang, Yuni, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kleeman, Faye Yuan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kono, Kimberly, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kwon, Nayoung Aimee, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ryu, Catherine, editor. edt http://id.loc.gov/vocabulary/relators/edt Textor, Cindi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tierney, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yamasaki, Nobuko Ishitate-Okunomiya, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yi, Christina, editor. edt http://id.loc.gov/vocabulary/relators/edt https://doi.org/10.1515/9780824896270?locatt=mode:legacy https://www.degruyter.com/isbn/9780824896270 Cover https://www.degruyter.com/document/cover/isbn/9780824896270/original |
language |
English |
format |
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author2 |
Ericson, Joan E., Ericson, Joan E., Haag, Andre, Haag, Andre, Haag, Andre, Haag, Andre, Kang, Yuni, Kang, Yuni, Kleeman, Faye Yuan, Kleeman, Faye Yuan, Kono, Kimberly, Kono, Kimberly, Kwon, Nayoung Aimee, Kwon, Nayoung Aimee, Ryu, Catherine, Ryu, Catherine, Textor, Cindi, Textor, Cindi, Tierney, Robert, Tierney, Robert, Yamasaki, Nobuko Ishitate-Okunomiya, Yamasaki, Nobuko Ishitate-Okunomiya, Yi, Christina, Yi, Christina, |
author_facet |
Ericson, Joan E., Ericson, Joan E., Haag, Andre, Haag, Andre, Haag, Andre, Haag, Andre, Kang, Yuni, Kang, Yuni, Kleeman, Faye Yuan, Kleeman, Faye Yuan, Kono, Kimberly, Kono, Kimberly, Kwon, Nayoung Aimee, Kwon, Nayoung Aimee, Ryu, Catherine, Ryu, Catherine, Textor, Cindi, Textor, Cindi, Tierney, Robert, Tierney, Robert, Yamasaki, Nobuko Ishitate-Okunomiya, Yamasaki, Nobuko Ishitate-Okunomiya, Yi, Christina, Yi, Christina, |
author2_variant |
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author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn |
author_sort |
Ericson, Joan E., |
title |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / |
spellingShingle |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Introduction: Passing, Posing, and Persuasion in the Japanese Empire -- 2. A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan -- 3. Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent -- 4 Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan -- 5 Pluralizing Passing and Transpacific Afro-Asian Solidarities Passings and Impasses across Colonial Korea and the Segregated United States -- 6. Crafting the Colonial " Japanese Child" -- 7. A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan- Asian Femininity -- 8. Ri Kōran: Posing and Passing as a "Cultured Native" -- 9. In the Shadow of Sӧshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August -- Index -- Contributors |
title_sub |
Cultural Production and Coloniality in Japan's East Asian Empire / |
title_full |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / ed. by Christina Yi, Andre Haag, Catherine Ryu. |
title_fullStr |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / ed. by Christina Yi, Andre Haag, Catherine Ryu. |
title_full_unstemmed |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / ed. by Christina Yi, Andre Haag, Catherine Ryu. |
title_auth |
Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Introduction: Passing, Posing, and Persuasion in the Japanese Empire -- 2. A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan -- 3. Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent -- 4 Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan -- 5 Pluralizing Passing and Transpacific Afro-Asian Solidarities Passings and Impasses across Colonial Korea and the Segregated United States -- 6. Crafting the Colonial " Japanese Child" -- 7. A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan- Asian Femininity -- 8. Ri Kōran: Posing and Passing as a "Cultured Native" -- 9. In the Shadow of Sӧshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August -- Index -- Contributors |
title_new |
Passing, Posing, Persuasion : |
title_sort |
passing, posing, persuasion : cultural production and coloniality in japan's east asian empire / |
publisher |
University of Hawaii Press, |
publishDate |
2023 |
physical |
1 online resource (212 p.) : 5 b&w illustrations |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Introduction: Passing, Posing, and Persuasion in the Japanese Empire -- 2. A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan -- 3. Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent -- 4 Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan -- 5 Pluralizing Passing and Transpacific Afro-Asian Solidarities Passings and Impasses across Colonial Korea and the Segregated United States -- 6. Crafting the Colonial " Japanese Child" -- 7. A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan- Asian Femininity -- 8. Ri Kōran: Posing and Passing as a "Cultured Native" -- 9. In the Shadow of Sӧshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August -- Index -- Contributors |
isbn |
9780824896270 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PL - Eastern Asia, Africa, Oceania |
callnumber-label |
PL726 |
callnumber-sort |
PL 3726.82 E84 P37 42024 |
geographic_facet |
Japan |
era_facet |
20th century. Shōwa period, 1926-1989 Shōwa period, 1926-1989 |
url |
https://doi.org/10.1515/9780824896270?locatt=mode:legacy https://www.degruyter.com/isbn/9780824896270 https://www.degruyter.com/document/cover/isbn/9780824896270/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
890 - Other literatures |
dewey-ones |
895 - Literatures of East & Southeast Asia |
dewey-full |
895.609/0044 |
dewey-sort |
3895.609 244 |
dewey-raw |
895.609/0044 |
dewey-search |
895.609/0044 |
doi_str_mv |
10.1515/9780824896270?locatt=mode:legacy |
work_keys_str_mv |
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Passing, Posing, Persuasion : Cultural Production and Coloniality in Japan's East Asian Empire / |
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