Minority Stages : : Sino-Indonesian Performance and Public Display / / Josh Stenberg; ed. by Frederick Lau.
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community's diverse performance practices are brought together as a family of genres. Combinin...
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Superior document: | Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package |
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Music and Performing Arts of Asia and the Pacific
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Online Access: | |
Physical Description: | 1 online resource (274 p.) :; 22 b&w illustrations, 3 maps |
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Table of Contents:
- Frontmatter
- CONTENTS
- Acknowledgments
- Note on Style
- Maps
- Introduction: Performance in the Background
- CHAPTER 1. Delighting Verie Much in Playes and Singing: Four Hundred Years of Xiqu in the Archipelago
- CHAPTER 2. Glove, String, and Shadow: Sino-Indonesian Forms of Wayang
- CHAPTER 3. Five Ancestors, Twice Over: Chinese-Language Spoken Theatre in Indonesia
- CHAPTER 4. The Disguised Beloved: A Chinese Narrative Thread in Commercial Theatre
- CHAPTER 5. Alumni Networks and Hybrid Dances: Sino-Indonesian Voluntary Associations and Performance
- CHAPTER 6. Deities on Parade: Sino-Indonesian Ritual Performance
- Conclusion: Hindsight and Prospects
- Notes
- References
- Index
- ABOUT THE AUTHOR