The Lyrical Lu Xun : : A Study of His Classical-Style Verse / / / Jon Eugene von Kowallis.

The influence of Lu Xun (1881-1936) in China's cultural, literary, and artistic life over the last sixty years has been inestimable. A poet from a backwater town, Lu Xun was propelled by the times into the various careers of educator, writer, publicist, professor, and polemicist. He was, howeve...

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Place / Publishing House:Honolulu : : : University of Hawaii Press, , [2023]
©1996
Year of Publication:2023
Language:English
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Physical Description:1 online resource (392 p.)
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100 1 |a Kowallis, Jon Eugene von,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut. 
245 1 4 |a The Lyrical Lu Xun :  |b A Study of His Classical-Style Verse / /  |c Jon Eugene von Kowallis. 
264 1 |a Honolulu : :   |b University of Hawaii Press,   |c [2023] 
264 4 |c ©1996 
300 |a 1 online resource (392 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t The Lyrical Lu Xun --   |t Introduction --   |t Lu Xun's Childhood and Youth (1881-1901) --   |t Japan and Back(1902-1909; 1909-1917) --   |t The May Fourth Era (1918-1927) --   |t A "Fellow Traveler"? (1927-1936) --   |t Verse in the Classical Style --   |t 1. Three Verses on Parting from My Brothers --   |t 2. Lotus Seedpod People --   |t 3. Seeing Off the Kitchen God in the Year 1901 --   |t 4. An Offertory for the God of Books --   |t 5. Three Verses on Parting from My Brothers --   |t 6. A Fondness for Flowers: Four Regulated Verses --   |t 7. Untitled (usually referred to as "Personally Inscribed on a Small Picture") --   |t 8. Three Stanzas Mourning Fan Ainong --   |t 9. Redressing Grievances on Behalf of the Beanstalks --   |t 10. My Heartfelt Sympathies for Rousseau --   |t 11. Untitled --   |t 12. For Wu Qishan (Uchiyama Kanzo) --   |t 13. For Mr. O. E. on the Occasion of His Return [to Japan] with [a Shipment of] Orchids --   |t 14. A Lament for Rou Shi --   |t 15. For a Japanese Poet --   |t 16. Untitled --   |t 17. Ode to the Goddess of the Xiang River --   |t 18. Two Untitled Poems --   |t 19. For Masuda Wataru on the Occasion of His Return to Japan --   |t 20. In Answer to a Gibe from a Guest --   |t 21. Lyrics for a Nanking Ditty --   |t 22. Untitled --   |t 23. An Impromptu Composition --   |t 24. For Pengzi --   |t 25. Written after the January Twenty-eighth Conflict --   |t 26. Laughing at My Own Predicament --   |t 27. Desultory Versifying on Professors --   |t 28. Hearsay --   |t 29. Two Untitled Poems --   |t 30. Untitled --   |t 31. New Year's Day in the Twenty-second Year of the Republic --   |t 32. For a Master Painter --   |t 33. Students and Jade Buddhas --   |t 34. Lamenting the College Students --   |t 35. Inscribed in a Copy of Outcry --   |t 36. Inscribed in a Copy of Wandering --   |t 37. A Lament for Yang Quan --   |t 38. Inscription for the Stupa of the Three Fidelities --   |t 39. Untitled --   |t 40. A Lament for Ms. Ding --   |t 41. Two Poems as a Gift --   |t 42. Untitled --   |t 43. Untitled --   |t 44. Against Yu Dafu's Move to Hangzhou --   |t 45. A Spoof on Newspaper Reports That I Had Contracted Encephalitis --   |t 46. Untitled --   |t 47. Feelings on an Autumn Night --   |t 48. Inscribed on Part 3 of Mustard-Seed Garden --   |t 49. Composed on an Impulse in Late Autumn of 1935 --   |t Epilogue "Mourning at Lu Xun's Grave" --   |t Glossary of Chinese and Japanese Names and Terms --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The influence of Lu Xun (1881-1936) in China's cultural, literary, and artistic life over the last sixty years has been inestimable. A poet from a backwater town, Lu Xun was propelled by the times into the various careers of educator, writer, publicist, professor, and polemicist. He was, however, first and foremost a classical scholar, writing some of his best works in classical form. The Lyrical Lu Xun is the most complete treatment of his classical-style poetry in any foreign language, containing translations and extensive discussions of sixty-four poems in the highly stylized forms of jueju (quatrains) and lushi (full-length regulated verse) - forms with detailed, strict rules for rhyme and tonal prosody that evolved according to pronunciations and standards set up more than a thousand years ago. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) 
650 4 |a LITERARY CRITICISM / Asian / Chinese  |2 sh. 
856 4 0 |u https://doi.org/10.1515/9780824845872 
856 4 0 |u https://www.degruyter.com/isbn/9780824845872 
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