The Lyrical Lu Xun : : A Study of His Classical-Style Verse / / / Jon Eugene von Kowallis.

The influence of Lu Xun (1881-1936) in China's cultural, literary, and artistic life over the last sixty years has been inestimable. A poet from a backwater town, Lu Xun was propelled by the times into the various careers of educator, writer, publicist, professor, and polemicist. He was, howeve...

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Place / Publishing House:Honolulu : : : University of Hawaii Press, , [2023]
©1996
Year of Publication:2023
Language:English
Online Access:
Physical Description:1 online resource (392 p.)
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Other title:Frontmatter --
Contents --
Preface --
The Lyrical Lu Xun --
Introduction --
Lu Xun's Childhood and Youth (1881-1901) --
Japan and Back(1902-1909; 1909-1917) --
The May Fourth Era (1918-1927) --
A "Fellow Traveler"? (1927-1936) --
Verse in the Classical Style --
1. Three Verses on Parting from My Brothers --
2. Lotus Seedpod People --
3. Seeing Off the Kitchen God in the Year 1901 --
4. An Offertory for the God of Books --
5. Three Verses on Parting from My Brothers --
6. A Fondness for Flowers: Four Regulated Verses --
7. Untitled (usually referred to as "Personally Inscribed on a Small Picture") --
8. Three Stanzas Mourning Fan Ainong --
9. Redressing Grievances on Behalf of the Beanstalks --
10. My Heartfelt Sympathies for Rousseau --
11. Untitled --
12. For Wu Qishan (Uchiyama Kanzo) --
13. For Mr. O. E. on the Occasion of His Return [to Japan] with [a Shipment of] Orchids --
14. A Lament for Rou Shi --
15. For a Japanese Poet --
16. Untitled --
17. Ode to the Goddess of the Xiang River --
18. Two Untitled Poems --
19. For Masuda Wataru on the Occasion of His Return to Japan --
20. In Answer to a Gibe from a Guest --
21. Lyrics for a Nanking Ditty --
22. Untitled --
23. An Impromptu Composition --
24. For Pengzi --
25. Written after the January Twenty-eighth Conflict --
26. Laughing at My Own Predicament --
27. Desultory Versifying on Professors --
28. Hearsay --
29. Two Untitled Poems --
30. Untitled --
31. New Year's Day in the Twenty-second Year of the Republic --
32. For a Master Painter --
33. Students and Jade Buddhas --
34. Lamenting the College Students --
35. Inscribed in a Copy of Outcry --
36. Inscribed in a Copy of Wandering --
37. A Lament for Yang Quan --
38. Inscription for the Stupa of the Three Fidelities --
39. Untitled --
40. A Lament for Ms. Ding --
41. Two Poems as a Gift --
42. Untitled --
43. Untitled --
44. Against Yu Dafu's Move to Hangzhou --
45. A Spoof on Newspaper Reports That I Had Contracted Encephalitis --
46. Untitled --
47. Feelings on an Autumn Night --
48. Inscribed on Part 3 of Mustard-Seed Garden --
49. Composed on an Impulse in Late Autumn of 1935 --
Epilogue "Mourning at Lu Xun's Grave" --
Glossary of Chinese and Japanese Names and Terms --
Bibliography --
Index
Summary:The influence of Lu Xun (1881-1936) in China's cultural, literary, and artistic life over the last sixty years has been inestimable. A poet from a backwater town, Lu Xun was propelled by the times into the various careers of educator, writer, publicist, professor, and polemicist. He was, however, first and foremost a classical scholar, writing some of his best works in classical form. The Lyrical Lu Xun is the most complete treatment of his classical-style poetry in any foreign language, containing translations and extensive discussions of sixty-four poems in the highly stylized forms of jueju (quatrains) and lushi (full-length regulated verse) - forms with detailed, strict rules for rhyme and tonal prosody that evolved according to pronunciations and standards set up more than a thousand years ago.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780824845872
DOI:10.1515/9780824845872
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Jon Eugene von Kowallis.