Parting the Mists : : Discovering Japan and the Rise of National-Style Painting in Modern China / / Aida Yuen Wong.
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style pain...
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2006] ©2006 |
Year of Publication: | 2006 |
Language: | English |
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Physical Description: | 1 online resource (232 p.) :; 64 illus., 30 in color |
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Wong, Aida Yuen, author. aut http://id.loc.gov/vocabulary/relators/aut Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / Aida Yuen Wong. Honolulu : University of Hawaii Press, [2006] ©2006 1 online resource (232 p.) : 64 illus., 30 in color text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Series Editor's Preface -- Acknowledgments -- Notes to the Reader -- Introduction -- 1. Tradition Is a Foreign Country -- 2. Nationalism and the Writing of New Histories -- 3. Literati Painting as the "Oriental Modern" -- 4. Wu Changshuo's Japanese Circle: Between Patronage and Style -- 5. Six Exhibitions and Sino-Japanese Diplomacy -- Conclusion -- Notes -- Glossary -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right.The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists' societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries' convergent, and often colliding, courses of nationalism. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) ART / Asian / General. bisacsh Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package 9783110649772 Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013 9783110564143 Title is part of eBook package: De Gruyter University of Hawaii Press eBook-Package Backlist 2000-2015 9783110663259 print 9780824829520 https://doi.org/10.1515/9780824845360 https://www.degruyter.com/isbn/9780824845360 Cover https://www.degruyter.com/document/cover/isbn/9780824845360/original |
language |
English |
format |
eBook |
author |
Wong, Aida Yuen, Wong, Aida Yuen, |
spellingShingle |
Wong, Aida Yuen, Wong, Aida Yuen, Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / Frontmatter -- Contents -- Illustrations -- Series Editor's Preface -- Acknowledgments -- Notes to the Reader -- Introduction -- 1. Tradition Is a Foreign Country -- 2. Nationalism and the Writing of New Histories -- 3. Literati Painting as the "Oriental Modern" -- 4. Wu Changshuo's Japanese Circle: Between Patronage and Style -- 5. Six Exhibitions and Sino-Japanese Diplomacy -- Conclusion -- Notes -- Glossary -- Bibliography -- Index |
author_facet |
Wong, Aida Yuen, Wong, Aida Yuen, |
author_variant |
a y w ay ayw a y w ay ayw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wong, Aida Yuen, |
title |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / |
title_sub |
Discovering Japan and the Rise of National-Style Painting in Modern China / |
title_full |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / Aida Yuen Wong. |
title_fullStr |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / Aida Yuen Wong. |
title_full_unstemmed |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / Aida Yuen Wong. |
title_auth |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Series Editor's Preface -- Acknowledgments -- Notes to the Reader -- Introduction -- 1. Tradition Is a Foreign Country -- 2. Nationalism and the Writing of New Histories -- 3. Literati Painting as the "Oriental Modern" -- 4. Wu Changshuo's Japanese Circle: Between Patronage and Style -- 5. Six Exhibitions and Sino-Japanese Diplomacy -- Conclusion -- Notes -- Glossary -- Bibliography -- Index |
title_new |
Parting the Mists : |
title_sort |
parting the mists : discovering japan and the rise of national-style painting in modern china / |
publisher |
University of Hawaii Press, |
publishDate |
2006 |
physical |
1 online resource (232 p.) : 64 illus., 30 in color Issued also in print. |
contents |
Frontmatter -- Contents -- Illustrations -- Series Editor's Preface -- Acknowledgments -- Notes to the Reader -- Introduction -- 1. Tradition Is a Foreign Country -- 2. Nationalism and the Writing of New Histories -- 3. Literati Painting as the "Oriental Modern" -- 4. Wu Changshuo's Japanese Circle: Between Patronage and Style -- 5. Six Exhibitions and Sino-Japanese Diplomacy -- Conclusion -- Notes -- Glossary -- Bibliography -- Index |
isbn |
9780824845360 9783110649772 9783110564143 9783110663259 9780824829520 |
url |
https://doi.org/10.1515/9780824845360 https://www.degruyter.com/isbn/9780824845360 https://www.degruyter.com/document/cover/isbn/9780824845360/original |
illustrated |
Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
320 - Political science |
dewey-ones |
320 - Political science |
dewey-full |
320 |
dewey-sort |
3320 |
dewey-raw |
320 |
dewey-search |
320 |
doi_str_mv |
10.1515/9780824845360 |
oclc_num |
1041973996 |
work_keys_str_mv |
AT wongaidayuen partingthemistsdiscoveringjapanandtheriseofnationalstylepaintinginmodernchina |
status_str |
n |
ids_txt_mv |
(DE-B1597)483757 (OCoLC)1041973996 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013 Title is part of eBook package: De Gruyter University of Hawaii Press eBook-Package Backlist 2000-2015 |
is_hierarchy_title |
Parting the Mists : Discovering Japan and the Rise of National-Style Painting in Modern China / |
container_title |
Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
_version_ |
1770176566776561664 |
fullrecord |
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