Between Page and Screen : : Remaking Literature Through Cinema and Cyberspace / / ed. by Kiene Brillenburg Wurth.

• Superior document: Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
• MitwirkendeR: Adler, Anthony Curtis,; Azcárate, Asuncíon Lóez-Varela,; Baetens, Jan,; Engelberts, Matthijs,; Frabetti, Federica,; Grmusa, Lovorka Gruic,; Hall, Gary,; Hayles, N. Katherine,; Ryan, Marie-Laure,; Sándor, Katalin,; Uricchio, William,; Verstraten, Peter,; Weber, Samuel,; Wurth, Kiene Brillenburg,; Zylinska, Joanna,
• HerausgeberIn: Wurth, Kiene Brillenburg,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2022]; ©2013
• Year of Publication: 2022
• Language: English
• Series: Verbal Arts: Studies in Poetics
• Physical Description: 1 online resource (352 p.) :; 5 Illustrations, black and white

Since the earlier twentieth century, literary genres have traveled across magnetic, wireless, and electronic planes. Literature may now be anything from acoustic poetry and oral performance to verbal–visual constellations in print and on screen, cinematic narratives, or electronic textualities that...

Table of Contents

• Frontmatter
• Contents
• Acknowledgments
• Introduction
• Part one. Mediality, Digitality, Subjectivity
• Chapter one. Medium, Reflexivity, and the Economy of the Self
• Chapter two. Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph
• Chapter three. What If Foucault Had Had a Blog?
• Chapter four. Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age
• Part two. Digital Reflexivities: Prose, Poetry, Code
• Chapter five. Intermediation: The Pursuit of a Vision
• Chapter six. Net.art: Dysfunctionality and Self-Reflexivity
• Chapter seven.Moving (the) Text. From Print to Digital
• Chapter eight. Technology Made Legible: Software as a Form of Writing in Software Engineering
• Part three. Intermedial Reflexivities Film, Writing, Script
• Chapter nine. Cinema as a Digest of Literature A Cure for Adaptation Fever
• Chapter ten. Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon
• Chapter eleven. Novelizing Tati
• Chapter twelve. Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France
• Part four. New Literacies, Education, and Accessibility
• Chapter thirteen. The New Literacies Technology and Cultural Form
• Chapter fourteen. Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces
• Chapter fifteen. The Singularity of New Media
• Notes
• Bibliography
• Contributors
• Index