Between Page and Screen : : Remaking Literature Through Cinema and Cyberspace / / ed. by Kiene Brillenburg Wurth.

• Superior document: Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
• MitwirkendeR: Adler, Anthony Curtis,; Azcárate, Asuncíon Lóez-Varela,; Baetens, Jan,; Engelberts, Matthijs,; Frabetti, Federica,; Grmusa, Lovorka Gruic,; Hall, Gary,; Hayles, N. Katherine,; Ryan, Marie-Laure,; Sándor, Katalin,; Uricchio, William,; Verstraten, Peter,; Weber, Samuel,; Wurth, Kiene Brillenburg,; Zylinska, Joanna,
• HerausgeberIn: Wurth, Kiene Brillenburg,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2022]; ©2013
• Year of Publication: 2022
• Language: English
• Series: Verbal Arts: Studies in Poetics
• Physical Description: 1 online resource (352 p.) :; 5 Illustrations, black and white

Since the earlier twentieth century, literary genres have traveled across magnetic, wireless, and electronic planes. Literature may now be anything from acoustic poetry and oral performance to verbal–visual constellations in print and on screen, cinematic narratives, or electronic textualities that range from hypertext to Flash. New technologies have left their imprint on literature as a paper-based medium, and vice versa. This volume explores the interactions between literature and screenbased media over the past three decades. How has literature turned to screen, how have screens undone the tyranny of the page as a medium of literature, and how have screens affected the page in literary writing? This volume answers these questions by uniquely integrating perspectives from digital literary studies, on the one hand, and film and literature studies, on the other. “Page” and “screen” are familiar catchwords in both digital literary studies and film and literature studies. The contributors reassess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium in fact reinvigorates the book and the page as literary media, rather than signaling their impending death. While previous studies in this field have been restricted to the digitization of literature alone, this volume shows the continuing relevance of film as a cultural medium for contemporary literature. Its integrative approach allows readers to situate current shifts within the literary field in a wider, long-term perspective.

Table of Contents

Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part one. Mediality, Digitality, Subjectivity -- Chapter one. Medium, Reflexivity, and the Economy of the Self -- Chapter two. Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph -- Chapter three. What If Foucault Had Had a Blog? -- Chapter four. Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age -- Part two. Digital Reflexivities: Prose, Poetry, Code -- Chapter five. Intermediation: The Pursuit of a Vision -- Chapter six. Net.art: Dysfunctionality and Self-Reflexivity -- Chapter seven.Moving (the) Text. From Print to Digital -- Chapter eight. Technology Made Legible: Software as a Form of Writing in Software Engineering -- Part three. Intermedial Reflexivities Film, Writing, Script -- Chapter nine. Cinema as a Digest of Literature A Cure for Adaptation Fever -- Chapter ten. Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon -- Chapter eleven. Novelizing Tati -- Chapter twelve. Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France -- Part four. New Literacies, Education, and Accessibility -- Chapter thirteen. The New Literacies Technology and Cultural Form -- Chapter fourteen. Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces -- Chapter fifteen. The Singularity of New Media -- Notes -- Bibliography -- Contributors -- Index