Hollow Men : : Writing, Objects, and Public Image in Renaissance Italy / / Susan Gaylard.
This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdiscipli...
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Place / Publishing House: | New York, NY : : Fordham University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
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Physical Description: | 1 online resource (372 p.) |
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Gaylard, Susan, author. aut http://id.loc.gov/vocabulary/relators/aut Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / Susan Gaylard. New York, NY : Fordham University Press, [2013] ©2013 1 online resource (372 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- 3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth -- 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- 5. Silenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) Art, Renaissance Italy History. Italian language Early modern, 1500-1700. Italian literature 15th century History and criticism. Italian literature To 1400 History and criticism. Masculinity in art. Masculinity in literature. Renaissance Italy. Art & Visual Culture. Literary Studies. Renaissance Studies. LITERARY CRITICISM / Renaissance. bisacsh Aretino. Bembo. Castiglione. Ghirlandaio. Pontano. Tasso. exemplar. impresa. monument. portrait. Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 9783111189604 Title is part of eBook package: De Gruyter Fordham University Press eBook-Package Backlist 2000-2013 9783110707298 print 9780823251742 https://doi.org/10.1515/9780823252183?locatt=mode:legacy https://www.degruyter.com/isbn/9780823252183 Cover https://www.degruyter.com/document/cover/isbn/9780823252183/original |
language |
English |
format |
eBook |
author |
Gaylard, Susan, Gaylard, Susan, |
spellingShingle |
Gaylard, Susan, Gaylard, Susan, Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / Frontmatter -- Contents -- Acknowledgments -- I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- 3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth -- 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- 5. Silenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index |
author_facet |
Gaylard, Susan, Gaylard, Susan, |
author_variant |
s g sg s g sg |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Gaylard, Susan, |
title |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / |
title_sub |
Writing, Objects, and Public Image in Renaissance Italy / |
title_full |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / Susan Gaylard. |
title_fullStr |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / Susan Gaylard. |
title_full_unstemmed |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / Susan Gaylard. |
title_auth |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- 3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth -- 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- 5. Silenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index |
title_new |
Hollow Men : |
title_sort |
hollow men : writing, objects, and public image in renaissance italy / |
publisher |
Fordham University Press, |
publishDate |
2013 |
physical |
1 online resource (372 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- 3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth -- 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- 5. Silenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index |
isbn |
9780823252183 9783111189604 9783110707298 9780823251742 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PQ - French, Italian, Spanish, Portuguese Literature |
callnumber-label |
PQ4075 |
callnumber-sort |
PQ 44075 G375 42013 |
geographic_facet |
Italy Italy. |
era_facet |
Early modern, 1500-1700. 15th century To 1400 |
url |
https://doi.org/10.1515/9780823252183?locatt=mode:legacy https://www.degruyter.com/isbn/9780823252183 https://www.degruyter.com/document/cover/isbn/9780823252183/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
850 - Italian, Romanian & related literatures |
dewey-ones |
850 - Italian, Romanian & related literatures |
dewey-full |
850/.9/002 |
dewey-sort |
3850 19 12 |
dewey-raw |
850/.9/002 |
dewey-search |
850/.9/002 |
doi_str_mv |
10.1515/9780823252183?locatt=mode:legacy |
oclc_num |
847005647 |
work_keys_str_mv |
AT gaylardsusan hollowmenwritingobjectsandpublicimageinrenaissanceitaly |
status_str |
n |
ids_txt_mv |
(DE-B1597)555219 (OCoLC)847005647 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 Title is part of eBook package: De Gruyter Fordham University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Hollow Men : Writing, Objects, and Public Image in Renaissance Italy / |
container_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 |
_version_ |
1770176514323644416 |
fullrecord |
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