Hollow Men : : Writing, Objects, and Public Image in Renaissance Italy / / Susan Gaylard.
This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdiscipli...
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Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 |
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Place / Publishing House: | New York, NY : : Fordham University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (372 p.) |
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001 | 9780823252183 | ||
003 | DE-B1597 | ||
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020 | |a 9780823252183 | ||
024 | 7 | |a 10.1515/9780823252183 |2 doi | |
035 | |a (DE-B1597)555219 | ||
035 | |a (OCoLC)847005647 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
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072 | 7 | |a LIT019000 |2 bisacsh | |
082 | 0 | 4 | |a 850/.9/002 |2 23 |
100 | 1 | |a Gaylard, Susan, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Hollow Men : |b Writing, Objects, and Public Image in Renaissance Italy / |c Susan Gaylard. |
264 | 1 | |a New York, NY : |b Fordham University Press, |c [2013] | |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (372 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- |t Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- |t 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- |t 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- |t II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- |t 3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth -- |t 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- |t 5. Silenus Strategies: The Failure of Personal Emblems -- |t Afterword -- |t Notes -- |t Works Cited -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
650 | 0 | |a Art, Renaissance |z Italy |x History. | |
650 | 0 | |a Italian language |y Early modern, 1500-1700. | |
650 | 0 | |a Italian literature |y 15th century |x History and criticism. | |
650 | 0 | |a Italian literature |y To 1400 |x History and criticism. | |
650 | 0 | |a Masculinity in art. | |
650 | 0 | |a Masculinity in literature. | |
650 | 0 | |a Renaissance |z Italy. | |
650 | 4 | |a Art & Visual Culture. | |
650 | 4 | |a Literary Studies. | |
650 | 4 | |a Renaissance Studies. | |
650 | 7 | |a LITERARY CRITICISM / Renaissance. |2 bisacsh | |
653 | |a Aretino. | ||
653 | |a Bembo. | ||
653 | |a Castiglione. | ||
653 | |a Ghirlandaio. | ||
653 | |a Pontano. | ||
653 | |a Tasso. | ||
653 | |a exemplar. | ||
653 | |a impresa. | ||
653 | |a monument. | ||
653 | |a portrait. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Fordham University Press Complete eBook-Package Pre-2014 |z 9783111189604 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Fordham University Press eBook-Package Backlist 2000-2013 |z 9783110707298 |
776 | 0 | |c print |z 9780823251742 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780823252183?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780823252183 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780823252183/original |
912 | |a 978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
912 | |a 978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014 |b 2014 | ||
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