The Naked Communist : : Cold War Modernism and the Politics of Popular Culture / / Roland Végső.
The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the “world” names the totality that functioned as the ultimate horizon of modern political imagination, the three ot...
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| Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 |
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| Place / Publishing House: | New York, NY : : Fordham University Press, , [2012] ©2012 |
| Year of Publication: | 2012 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (256 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- Part I. Anti-Communist Politics
- 1. The Aesthetic Unconscious
- 2. Anti-Communist Politics and the Limits of Representation
- 3. The Enemy, the Secret, and the Catastrophe
- 4. Anti-Communist Aesthetic Ideology
- Part II. Anti-Communist Fiction
- 5. One World: Nuclear Holocausts
- 6. Two Worlds: Stolen Secrets
- 7. Three Worlds: Global Enemies
- Conclusion
- Notes
- Bibliography
- Index