The Naked Communist : : Cold War Modernism and the Politics of Popular Culture / / Roland Végső.

The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the “world” names the totality that functioned as the ultimate horizon of modern political imagination, the three ot...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
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Place / Publishing House:New York, NY : : Fordham University Press, , [2012]
©2012
Year of Publication:2012
Language:English
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Physical Description:1 online resource (256 p.)
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id 9780823245598
ctrlnum (DE-B1597)555040
(OCoLC)923764049
collection bib_alma
record_format marc
spelling Végső, Roland, author. aut http://id.loc.gov/vocabulary/relators/aut
The Naked Communist : Cold War Modernism and the Politics of Popular Culture / Roland Végső.
New York, NY : Fordham University Press, [2012]
©2012
1 online resource (256 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. Anti-Communist Politics -- 1. The Aesthetic Unconscious -- 2. Anti-Communist Politics and the Limits of Representation -- 3. The Enemy, the Secret, and the Catastrophe -- 4. Anti-Communist Aesthetic Ideology -- Part II. Anti-Communist Fiction -- 5. One World: Nuclear Holocausts -- 6. Two Worlds: Stolen Secrets -- 7. Three Worlds: Global Enemies -- Conclusion -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the “world” names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation.The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist “aesthetic ideology.” The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
Aesthetics Political aspects United States History 20th century.
American literature 20th century History and criticism.
Anti-communist movements in literature.
Anti-communist movements United States History 20th century.
Anti-communist movements United States Philosophy.
Cold War in literature.
Cold War Political aspects United States.
Popular culture Political aspects United States History 20th century.
American Studies.
Literary Studies.
LITERARY CRITICISM / Semiotics & Theory. bisacsh
Aesthetic Ideology.
Anti-Communism.
Catastrophe.
Cold War.
Enemy.
Modernism.
Popular fiction.
Secrecy.
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 9783111189604
Title is part of eBook package: De Gruyter Fordham University Press eBook-Package Backlist 2000-2013 9783110707298
print 9780823245567
https://doi.org/10.1515/9780823245598?locatt=mode:legacy
https://www.degruyter.com/isbn/9780823245598
Cover https://www.degruyter.com/document/cover/isbn/9780823245598/original
language English
format eBook
author Végső, Roland,
Végső, Roland,
spellingShingle Végső, Roland,
Végső, Roland,
The Naked Communist : Cold War Modernism and the Politics of Popular Culture /
Frontmatter --
Contents --
Acknowledgments --
Introduction --
Part I. Anti-Communist Politics --
1. The Aesthetic Unconscious --
2. Anti-Communist Politics and the Limits of Representation --
3. The Enemy, the Secret, and the Catastrophe --
4. Anti-Communist Aesthetic Ideology --
Part II. Anti-Communist Fiction --
5. One World: Nuclear Holocausts --
6. Two Worlds: Stolen Secrets --
7. Three Worlds: Global Enemies --
Conclusion --
Notes --
Bibliography --
Index
author_facet Végső, Roland,
Végső, Roland,
author_variant r v rv
r v rv
author_role VerfasserIn
VerfasserIn
author_sort Végső, Roland,
title The Naked Communist : Cold War Modernism and the Politics of Popular Culture /
title_sub Cold War Modernism and the Politics of Popular Culture /
title_full The Naked Communist : Cold War Modernism and the Politics of Popular Culture / Roland Végső.
title_fullStr The Naked Communist : Cold War Modernism and the Politics of Popular Culture / Roland Végső.
title_full_unstemmed The Naked Communist : Cold War Modernism and the Politics of Popular Culture / Roland Végső.
title_auth The Naked Communist : Cold War Modernism and the Politics of Popular Culture /
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction --
Part I. Anti-Communist Politics --
1. The Aesthetic Unconscious --
2. Anti-Communist Politics and the Limits of Representation --
3. The Enemy, the Secret, and the Catastrophe --
4. Anti-Communist Aesthetic Ideology --
Part II. Anti-Communist Fiction --
5. One World: Nuclear Holocausts --
6. Two Worlds: Stolen Secrets --
7. Three Worlds: Global Enemies --
Conclusion --
Notes --
Bibliography --
Index
title_new The Naked Communist :
title_sort the naked communist : cold war modernism and the politics of popular culture /
publisher Fordham University Press,
publishDate 2012
physical 1 online resource (256 p.)
contents Frontmatter --
Contents --
Acknowledgments --
Introduction --
Part I. Anti-Communist Politics --
1. The Aesthetic Unconscious --
2. Anti-Communist Politics and the Limits of Representation --
3. The Enemy, the Secret, and the Catastrophe --
4. Anti-Communist Aesthetic Ideology --
Part II. Anti-Communist Fiction --
5. One World: Nuclear Holocausts --
6. Two Worlds: Stolen Secrets --
7. Three Worlds: Global Enemies --
Conclusion --
Notes --
Bibliography --
Index
isbn 9780823245598
9783111189604
9783110707298
9780823245567
callnumber-first E - United States History
callnumber-subject E - United States History
callnumber-label E743
callnumber-sort E 3743.5
geographic_facet United States
United States.
era_facet 20th century.
20th century
url https://doi.org/10.1515/9780823245598?locatt=mode:legacy
https://www.degruyter.com/isbn/9780823245598
https://www.degruyter.com/document/cover/isbn/9780823245598/original
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 809 - History, description & criticism
dewey-full 809.9112
dewey-sort 3809.9112
dewey-raw 809.9112
dewey-search 809.9112
doi_str_mv 10.1515/9780823245598?locatt=mode:legacy
oclc_num 923764049
work_keys_str_mv AT vegsoroland thenakedcommunistcoldwarmodernismandthepoliticsofpopularculture
AT vegsoroland nakedcommunistcoldwarmodernismandthepoliticsofpopularculture
status_str n
ids_txt_mv (DE-B1597)555040
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
Title is part of eBook package: De Gruyter Fordham University Press eBook-Package Backlist 2000-2013
is_hierarchy_title The Naked Communist : Cold War Modernism and the Politics of Popular Culture /
container_title Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
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