Cinepoetry : : Imaginary Cinemas in French Poetry / / Christophe Wall-Romana.
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long his...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : Fordham University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Verbal Arts: Studies in Poetics
|
Online Access: | |
Physical Description: | 1 online resource (504 p.) :; 51 Black & White and Color Illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- Introduction: Cinema as Imaginary Medium in French Poetry
- Part One. The Early Poetic Sensorium of the Apparatus
- 1. Mallarmé Unfolds the Cinématographe
- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama
- 3. Le Film surnaturel: Cocteau’s Immersive Writing
- Part Two. Telepresence of the Marvelous: Cinepoetic Theories in the 1920s
- 4. Jean Epstein’s Invention of Cinepoetry
- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry
- 6. Doing Filmic Things with Words: On Chaplin
- Part Three. Cinepoetry and Postwar Trauma Cultures
- 7. The Poem-Scenario in the Interwar (1917–1928)
- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959)
- Part Four. Cinema’s Print Culture in Poetry
- 9. Postlyricism and the Movie Program: From Jarry to Alferi
- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature
- Part Five. Skin, Screen, Page: Cinepoetry’s Historical Imaginary
- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony
- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus
- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin
- Conclusion: The Film to Come in Contemporary Poetry
- Notes
- Bibliography
- Index