Post-Bellum, Pre-Harlem : : African American Literature and Culture, 1877-1919 / / ed. by Barbara McCaskill, Caroline Gebhard.
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowe...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2006] ©2006 |
Year of Publication: | 2006 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- Part I Reimagining the Past
- Chapter 1 Creative Collaboration: As African American as Sweet Potato Pie
- Chapter 2 Commemorative Ceremonies and Invented Traditions: History, Memory, and Modernity in the “New Negro” Novel of the Nadir
- Part II Meeting Freedom: Self-Invention, Artistic Innovation, and Race Progress (1870s–1880s)
- Chapter 3 Landscapes of Labor Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister
- Chapter 4 “Manly Husbands and Womanly Wives” The Leadership of Educator Lucy Craft Laney
- Chapter 5 Old and New Issue Servants “Race” Men and Women Weigh In
- Chapter 6 Savannah’s Colored Tribune, the Reverend E. K. Love, and the Sacred Rebellion of Uplift
- Part III Encountering Jim Crow African American Literature and the Mainstream (1890s)
- Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin
- Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues
- Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel
- Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson
- Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917)
- Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class
- Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women
- Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama
- Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century
- Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk
- Topical List of Selected Works
- About the Contributors
- Index