Post-Bellum, Pre-Harlem : : African American Literature and Culture, 1877-1919 / / ed. by Barbara McCaskill, Caroline Gebhard.
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowe...
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Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / ed. by Barbara McCaskill, Caroline Gebhard. New York, NY : New York University Press, [2006] ©2006 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Reimagining the Past -- Chapter 1 Creative Collaboration: As African American as Sweet Potato Pie -- Chapter 2 Commemorative Ceremonies and Invented Traditions: History, Memory, and Modernity in the “New Negro” Novel of the Nadir -- Part II Meeting Freedom: Self-Invention, Artistic Innovation, and Race Progress (1870s–1880s) -- Chapter 3 Landscapes of Labor Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister -- Chapter 4 “Manly Husbands and Womanly Wives” The Leadership of Educator Lucy Craft Laney -- Chapter 5 Old and New Issue Servants “Race” Men and Women Weigh In -- Chapter 6 Savannah’s Colored Tribune, the Reverend E. K. Love, and the Sacred Rebellion of Uplift -- Part III Encountering Jim Crow African American Literature and the Mainstream (1890s) -- Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin -- Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues -- Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel -- Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson -- Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917) -- Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class -- Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women -- Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama -- Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century -- Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk -- Topical List of Selected Works -- About the Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance.Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love.Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction.Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) African American arts 19th century. African American arts 20th century. LITERARY COLLECTIONS / Essays. bisacsh Baker, Barbara A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bennett, Paula Bernat, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brown, Nikki L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dowling, Robert M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Foster, Frances Smith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gebhard, Caroline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gebhard, Caroline, editor. edt http://id.loc.gov/vocabulary/relators/edt Kowalski, Philip J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCaskill, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McCaskill, Barbara, editor. edt http://id.loc.gov/vocabulary/relators/edt McCluskey, Audrey Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mitchell, Koritha A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Peterson, Carla L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reymond, Rhonda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ryan, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Scheiber, Andrew J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shaw, Gwendolyn DuBois, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Winter, Margaret Crumpton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter New York University Press Backlist eBook-Package 2000-2013 9783110706444 print 9780814731673 https://doi.org/10.18574/nyu/9780814764213.001.0001 https://www.degruyter.com/isbn/9780814764213 Cover https://www.degruyter.com/document/cover/isbn/9780814764213/original |
language |
English |
format |
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author2 |
Baker, Barbara A., Baker, Barbara A., Bennett, Paula Bernat, Bennett, Paula Bernat, Brown, Nikki L., Brown, Nikki L., Dowling, Robert M., Dowling, Robert M., Foster, Frances Smith, Foster, Frances Smith, Gebhard, Caroline, Gebhard, Caroline, Gebhard, Caroline, Gebhard, Caroline, Kowalski, Philip J., Kowalski, Philip J., McCaskill, Barbara, McCaskill, Barbara, McCaskill, Barbara, McCaskill, Barbara, McCluskey, Audrey Thomas, McCluskey, Audrey Thomas, Mitchell, Koritha A., Mitchell, Koritha A., Peterson, Carla L., Peterson, Carla L., Reymond, Rhonda, Reymond, Rhonda, Ryan, Barbara, Ryan, Barbara, Scheiber, Andrew J., Scheiber, Andrew J., Shaw, Gwendolyn DuBois, Shaw, Gwendolyn DuBois, Winter, Margaret Crumpton, Winter, Margaret Crumpton, |
author_facet |
Baker, Barbara A., Baker, Barbara A., Bennett, Paula Bernat, Bennett, Paula Bernat, Brown, Nikki L., Brown, Nikki L., Dowling, Robert M., Dowling, Robert M., Foster, Frances Smith, Foster, Frances Smith, Gebhard, Caroline, Gebhard, Caroline, Gebhard, Caroline, Gebhard, Caroline, Kowalski, Philip J., Kowalski, Philip J., McCaskill, Barbara, McCaskill, Barbara, McCaskill, Barbara, McCaskill, Barbara, McCluskey, Audrey Thomas, McCluskey, Audrey Thomas, Mitchell, Koritha A., Mitchell, Koritha A., Peterson, Carla L., Peterson, Carla L., Reymond, Rhonda, Reymond, Rhonda, Ryan, Barbara, Ryan, Barbara, Scheiber, Andrew J., Scheiber, Andrew J., Shaw, Gwendolyn DuBois, Shaw, Gwendolyn DuBois, Winter, Margaret Crumpton, Winter, Margaret Crumpton, |
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author_sort |
Baker, Barbara A., |
title |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / |
spellingShingle |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Reimagining the Past -- Chapter 1 Creative Collaboration: As African American as Sweet Potato Pie -- Chapter 2 Commemorative Ceremonies and Invented Traditions: History, Memory, and Modernity in the “New Negro” Novel of the Nadir -- Part II Meeting Freedom: Self-Invention, Artistic Innovation, and Race Progress (1870s–1880s) -- Chapter 3 Landscapes of Labor Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister -- Chapter 4 “Manly Husbands and Womanly Wives” The Leadership of Educator Lucy Craft Laney -- Chapter 5 Old and New Issue Servants “Race” Men and Women Weigh In -- Chapter 6 Savannah’s Colored Tribune, the Reverend E. K. Love, and the Sacred Rebellion of Uplift -- Part III Encountering Jim Crow African American Literature and the Mainstream (1890s) -- Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin -- Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues -- Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel -- Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson -- Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917) -- Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class -- Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women -- Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama -- Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century -- Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk -- Topical List of Selected Works -- About the Contributors -- Index |
title_sub |
African American Literature and Culture, 1877-1919 / |
title_full |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / ed. by Barbara McCaskill, Caroline Gebhard. |
title_fullStr |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / ed. by Barbara McCaskill, Caroline Gebhard. |
title_full_unstemmed |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / ed. by Barbara McCaskill, Caroline Gebhard. |
title_auth |
Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Reimagining the Past -- Chapter 1 Creative Collaboration: As African American as Sweet Potato Pie -- Chapter 2 Commemorative Ceremonies and Invented Traditions: History, Memory, and Modernity in the “New Negro” Novel of the Nadir -- Part II Meeting Freedom: Self-Invention, Artistic Innovation, and Race Progress (1870s–1880s) -- Chapter 3 Landscapes of Labor Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister -- Chapter 4 “Manly Husbands and Womanly Wives” The Leadership of Educator Lucy Craft Laney -- Chapter 5 Old and New Issue Servants “Race” Men and Women Weigh In -- Chapter 6 Savannah’s Colored Tribune, the Reverend E. K. Love, and the Sacred Rebellion of Uplift -- Part III Encountering Jim Crow African American Literature and the Mainstream (1890s) -- Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin -- Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues -- Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel -- Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson -- Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917) -- Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class -- Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women -- Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama -- Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century -- Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk -- Topical List of Selected Works -- About the Contributors -- Index |
title_new |
Post-Bellum, Pre-Harlem : |
title_sort |
post-bellum, pre-harlem : african american literature and culture, 1877-1919 / |
publisher |
New York University Press, |
publishDate |
2006 |
physical |
1 online resource |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Reimagining the Past -- Chapter 1 Creative Collaboration: As African American as Sweet Potato Pie -- Chapter 2 Commemorative Ceremonies and Invented Traditions: History, Memory, and Modernity in the “New Negro” Novel of the Nadir -- Part II Meeting Freedom: Self-Invention, Artistic Innovation, and Race Progress (1870s–1880s) -- Chapter 3 Landscapes of Labor Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister -- Chapter 4 “Manly Husbands and Womanly Wives” The Leadership of Educator Lucy Craft Laney -- Chapter 5 Old and New Issue Servants “Race” Men and Women Weigh In -- Chapter 6 Savannah’s Colored Tribune, the Reverend E. K. Love, and the Sacred Rebellion of Uplift -- Part III Encountering Jim Crow African American Literature and the Mainstream (1890s) -- Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin -- Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues -- Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel -- Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson -- Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917) -- Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class -- Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women -- Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama -- Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century -- Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk -- Topical List of Selected Works -- About the Contributors -- Index |
isbn |
9780814764213 9783110706444 9780814731673 |
era_facet |
19th century. 20th century. |
url |
https://doi.org/10.18574/nyu/9780814764213.001.0001 https://www.degruyter.com/isbn/9780814764213 https://www.degruyter.com/document/cover/isbn/9780814764213/original |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
300 - Social sciences, sociology & anthropology |
dewey-ones |
306 - Culture & institutions |
dewey-full |
306.4/708996073 |
dewey-sort |
3306.4 9708996073 |
dewey-raw |
306.4/708996073 |
dewey-search |
306.4/708996073 |
doi_str_mv |
10.18574/nyu/9780814764213.001.0001 |
oclc_num |
780425922 |
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Post-Bellum, Pre-Harlem : African American Literature and Culture, 1877-1919 / |
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Love, and the Sacred Rebellion of Uplift -- </subfield><subfield code="t">Part III Encountering Jim Crow African American Literature and the Mainstream (1890s) -- </subfield><subfield code="t">Chapter 7 A Marginal Man in Black Bohemia: James Weldon Johnson in the New York Tenderloin -- </subfield><subfield code="t">Chapter 8 Jamming with Julius: Charles Chesnutt and the Post-Bellum–Pre-Harlem Blues -- </subfield><subfield code="t">Chapter 9 Rewriting Dunbar: Realism, Black Women Poets, and the Genteel -- </subfield><subfield code="t">Chapter 10 Inventing a “Negro Literature” Race, Dialect, and Gender in the Early Work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson -- </subfield><subfield code="t">Part IV Turning the Century New Political, Cultural, and Personal Aesthetics (1900–1917) -- </subfield><subfield code="t">Chapter 11 No Excuses for Our Dirt: Booker T.Washington and a “New Negro” Middle Class -- </subfield><subfield code="t">Chapter 12 War Work, Social Work, Community Work: Alice Dunbar-Nelson, Federal War Work Agencies, and Southern African American Women -- </subfield><subfield code="t">Chapter 13 Antilynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the Evolution of African American Drama -- </subfield><subfield code="t">Chapter 14 Henry Ossawa Tanner and W. E. B. Du Bois: African American Art and “High Culture” at the Turn into the Twentieth Century -- </subfield><subfield code="t">Chapter 15 The Folk, the School, and the Marketplace: Locations of Culture in The Souls of Black Folk -- </subfield><subfield code="t">Topical List of Selected Works -- </subfield><subfield code="t">About the Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. 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Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love.Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction.Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African American arts</subfield><subfield code="x">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African American arts</subfield><subfield code="x">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African American arts</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African American arts</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY COLLECTIONS / Essays.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Barbara A., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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