The Femme Fatale / / Julie Grossman.

Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural att...

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Superior document:Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2020
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Quick Takes: Movies and Popular Culture
Online Access:
Physical Description:1 online resource (138 p.)
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245 1 4 |a The Femme Fatale /  |c Julie Grossman. 
264 1 |a New Brunswick, NJ :   |b Rutgers University Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (138 p.) 
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490 0 |a Quick Takes: Movies and Popular Culture 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t INTRODUCTION --   |t 1 THEDA BARA AND BARBARA STANWYCK’S “BABY FACE” Exoticism and the Street-Smart Vamp --   |t 2 WARTIME AND POSTWAR FILM NOIR, NEO-NOIR, AND THE FEMME FATALE --   |t 3 TRACY FLICK AND TELEVISION’S UNRULY WOMEN --   |t ACKNOWLEDGMENTS --   |t FURTHER READING --   |t WORKS CITED --   |t SELECTED FILMOGRAPHY --   |t INDEX --   |t ABOUT THE AUTHOR 
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520 |a Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality? This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in films like Basic Instinct and Memento. Finally, it explores how contemporary film and television creators like Fleabag and Killing Eve’s Phoebe Waller-Bridge have appropriated the femme fatale in sympathetic and surprising ways. Analyzing not only the films themselves, but also studio press kits and reviews, The Femme Fatale considers how discourses about the pleasures and dangers of female performance are projected onto the figure of the femme fatale. Ultimately, it is a celebration of how “bad girl” roles have provided some of Hollywood’s most talented actresses opportunities to fully express their on-screen charisma. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Femmes fatales in motion pictures. 
650 0 |a Femmes fatales. 
650 0 |a Psychiatric nursing. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a Film, Media Studies, Communications, Women's Studies, Cultural Studies, women, women studies, Criticism, History, popular culture, Art, social Science, style, language, stories, Cinema, Video, Author, Julie Grossman, culture generally, female ambition, Females frustration, females intelligence, Theda Bara, Barbara Stanwyck, Hedy Lamarr, Reese Witherspoon, Jodie Comer, Sandra Oh, gender, criminality, smart women. 
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