The Femme Fatale / / Julie Grossman.

• Superior document: Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2020
• VerfasserIn: Grossman, Julie,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Series: Quick Takes: Movies and Popular Culture
• Physical Description: 1 online resource (138 p.)
• Other title: Frontmatter --; CONTENTS --; INTRODUCTION --; 1 THEDA BARA AND BARBARA STANWYCK’S “BABY FACE” Exoticism and the Street-Smart Vamp --; 2 WARTIME AND POSTWAR FILM NOIR, NEO-NOIR, AND THE FEMME FATALE --; 3 TRACY FLICK AND TELEVISION’S UNRULY WOMEN --; ACKNOWLEDGMENTS --; FURTHER READING --; WORKS CITED --; SELECTED FILMOGRAPHY --; INDEX --; ABOUT THE AUTHOR
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780813598284; 9783110690330
• DOI: 10.36019/9780813598284
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Julie Grossman.

Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality? This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in films like Basic Instinct and Memento. Finally, it explores how contemporary film and television creators like Fleabag and Killing Eve’s Phoebe Waller-Bridge have appropriated the femme fatale in sympathetic and surprising ways. Analyzing not only the films themselves, but also studio press kits and reviews, The Femme Fatale considers how discourses about the pleasures and dangers of female performance are projected onto the figure of the femme fatale. Ultimately, it is a celebration of how “bad girl” roles have provided some of Hollywood’s most talented actresses opportunities to fully express their on-screen charisma.