Digital Visual Effects in Cinema : : The Seduction of Reality / / Stephen Prince.
Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radi...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2011] ©2012 |
Year of Publication: | 2011 |
Language: | English |
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Physical Description: | 1 online resource (272 p.) :; 40 b-w photographs |
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Prince, Stephen, author. aut http://id.loc.gov/vocabulary/relators/aut Digital Visual Effects in Cinema : The Seduction of Reality / Stephen Prince. New Brunswick, NJ : Rutgers University Press, [2011] ©2012 1 online resource (272 p.) : 40 b-w photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) Cinematography Special effects. Cinematography Technological innovations. Digital cinematography. Motion picture industry Technological innovations. Motion pictures Aesthetics. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 9783110688610 print 9780813551852 https://doi.org/10.36019/9780813552187 https://www.degruyter.com/isbn/9780813552187 Cover https://www.degruyter.com/document/cover/isbn/9780813552187/original |
language |
English |
format |
eBook |
author |
Prince, Stephen, Prince, Stephen, |
spellingShingle |
Prince, Stephen, Prince, Stephen, Digital Visual Effects in Cinema : The Seduction of Reality / |
author_facet |
Prince, Stephen, Prince, Stephen, |
author_variant |
s p sp s p sp |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Prince, Stephen, |
title |
Digital Visual Effects in Cinema : The Seduction of Reality / |
title_sub |
The Seduction of Reality / |
title_full |
Digital Visual Effects in Cinema : The Seduction of Reality / Stephen Prince. |
title_fullStr |
Digital Visual Effects in Cinema : The Seduction of Reality / Stephen Prince. |
title_full_unstemmed |
Digital Visual Effects in Cinema : The Seduction of Reality / Stephen Prince. |
title_auth |
Digital Visual Effects in Cinema : The Seduction of Reality / |
title_new |
Digital Visual Effects in Cinema : |
title_sort |
digital visual effects in cinema : the seduction of reality / |
publisher |
Rutgers University Press, |
publishDate |
2011 |
physical |
1 online resource (272 p.) : 40 b-w photographs Issued also in print. |
isbn |
9780813552187 9783110688610 9780813551852 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 T43 P75 42012EB |
url |
https://doi.org/10.36019/9780813552187 https://www.degruyter.com/isbn/9780813552187 https://www.degruyter.com/document/cover/isbn/9780813552187/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
770 - Photography & computer art |
dewey-ones |
778 - Fields & kinds of photography |
dewey-full |
778.53 |
dewey-sort |
3778.53 |
dewey-raw |
778.53 |
dewey-search |
778.53 |
doi_str_mv |
10.36019/9780813552187 |
oclc_num |
1163878356 |
work_keys_str_mv |
AT princestephen digitalvisualeffectsincinematheseductionofreality |
status_str |
n |
ids_txt_mv |
(DE-B1597)529034 (OCoLC)1163878356 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
is_hierarchy_title |
Digital Visual Effects in Cinema : The Seduction of Reality / |
container_title |
Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
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1806143407592046592 |
fullrecord |
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