Digital Visual Effects in Cinema : : The Seduction of Reality / / Stephen Prince.
Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radi...
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| Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2011] ©2012 |
| Year of Publication: | 2011 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (272 p.) :; 40 b-w photographs |
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| 100 | 1 | |a Prince, Stephen, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Digital Visual Effects in Cinema : |b The Seduction of Reality / |c Stephen Prince. |
| 264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2011] | |
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| 300 | |a 1 online resource (272 p.) : |b 40 b-w photographs | ||
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| 520 | |a Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 | |a Cinematography |x Special effects. | |
| 650 | 0 | |a Cinematography |x Technological innovations. | |
| 650 | 0 | |a Digital cinematography. | |
| 650 | 0 | |a Motion picture industry |x Technological innovations. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Backlist eBook-Package 2000-2013 |z 9783110688610 |
| 776 | 0 | |c print |z 9780813551852 | |
| 856 | 4 | 0 | |u https://doi.org/10.36019/9780813552187 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780813552187 |
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