The Unfinished Enlightenment : : Description in the Age of the Encyclopedia / / Joanna Stalnaker.

In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2011]
©2011
Year of Publication:2011
Language:English
Online Access:
Physical Description:1 online resource (256 p.) :; 5 halftones
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245 1 4 |a The Unfinished Enlightenment :  |b Description in the Age of the Encyclopedia /  |c Joanna Stalnaker. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2011] 
264 4 |c ©2011 
300 |a 1 online resource (256 p.) :  |b 5 halftones 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t FIGURES --   |t PREFACE --   |t ACKNOWLEDGMENTS --   |t INTRODUCTION --   |t Part I: Natural Histories --   |t 1. Buffon and Daubenton's Two Horses --   |t 2. Bernardin de Saint-Pierre's Strawberry Plant --   |t Part II: Encyclopedias --   |t 3. Diderot's Word Machine --   |t 4. Delille's Little Encyclopedia --   |t Part III: Moral and Political Topographies --   |t 5. Mercier's Unframed Paris --   |t 6. Description in Revolution --   |t Conclusion: Virtual Encyclopedias --   |t Bibliography --   |t Index 
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520 |a In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration-rather than as a universal tool for making sense of knowledge in all fields-has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Description (Rhetoric)  |x History  |y 18th century. 
650 0 |a Encyclopedias and dictionaries, French  |x History and criticism. 
650 0 |a Enlightenment  |z France. 
650 0 |a Enlightenment. 
650 0 |a French literature  |y 18th century  |x History and criticism. 
650 0 |a Natural history  |x History  |y 18th century. 
650 0 |a Natural history  |z France  |x History  |y 18th century. 
650 4 |a Europe. 
650 4 |a History. 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / European / French.  |2 bisacsh 
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