The Unfinished Enlightenment : : Description in the Age of the Encyclopedia / / Joanna Stalnaker.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
• VerfasserIn: Stalnaker, Joanna,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2011]; ©2011
• Year of Publication: 2011
• Language: English
• Physical Description: 1 online resource (256 p.) :; 5 halftones
• Other title: Frontmatter --; CONTENTS --; FIGURES --; PREFACE --; ACKNOWLEDGMENTS --; INTRODUCTION --; Part I: Natural Histories --; 1. Buffon and Daubenton's Two Horses --; 2. Bernardin de Saint-Pierre's Strawberry Plant --; Part II: Encyclopedias --; 3. Diderot's Word Machine --; 4. Delille's Little Encyclopedia --; Part III: Moral and Political Topographies --; 5. Mercier's Unframed Paris --; 6. Description in Revolution --; Conclusion: Virtual Encyclopedias --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780801462344; 9783110536157
• DOI: 10.7591/9780801462344
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Joanna Stalnaker.

In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration-rather than as a universal tool for making sense of knowledge in all fields-has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century.