Broken Harmony : : Shakespeare and the Politics of Music / / Joseph M. Ortiz.
Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire t...
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| Superior document: | Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
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| Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2011] ©2011 |
| Year of Publication: | 2011 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (280 p.) :; 6 halftones |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction. Disciplining Music
- 1. Titus Andronicus and the Production of Musical Meaning
- 2. "Her speech is nothing": Mad Speech and the Female Musician
- 3. Teaching Music: The Rule of Allegory
- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest
- 5. Shakespeare's Idolatry: Psalms and Hornpipes in The Winter's Tale
- 6. The Reforming of Reformation: Milton's A Maske
- Selected Bibliography
- Index