Broken Harmony : : Shakespeare and the Politics of Music / / Joseph M. Ortiz.
Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire t...
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Ortiz, Joseph M., author. aut http://id.loc.gov/vocabulary/relators/aut Broken Harmony : Shakespeare and the Politics of Music / Joseph M. Ortiz. Ithaca, NY : Cornell University Press, [2011] ©2011 1 online resource (280 p.) : 6 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Disciplining Music -- 1. Titus Andronicus and the Production of Musical Meaning -- 2. "Her speech is nothing": Mad Speech and the Female Musician -- 3. Teaching Music: The Rule of Allegory -- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest -- 5. Shakespeare's Idolatry: Psalms and Hornpipes in The Winter's Tale -- 6. The Reforming of Reformation: Milton's A Maske -- Selected Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Music in literature. Art History. Medieval & Renaissance Studies. Musical Arts & Ethnomusicology. LITERARY CRITICISM / Shakespeare. bisacsh Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 9783110536157 print 9780801449314 https://doi.org/10.7591/9780801460920 https://www.degruyter.com/isbn/9780801460920 Cover https://www.degruyter.com/document/cover/isbn/9780801460920/original |
language |
English |
format |
eBook |
author |
Ortiz, Joseph M., Ortiz, Joseph M., |
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Ortiz, Joseph M., Ortiz, Joseph M., Broken Harmony : Shakespeare and the Politics of Music / Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Disciplining Music -- 1. Titus Andronicus and the Production of Musical Meaning -- 2. "Her speech is nothing": Mad Speech and the Female Musician -- 3. Teaching Music: The Rule of Allegory -- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest -- 5. Shakespeare's Idolatry: Psalms and Hornpipes in The Winter's Tale -- 6. The Reforming of Reformation: Milton's A Maske -- Selected Bibliography -- Index |
author_facet |
Ortiz, Joseph M., Ortiz, Joseph M., |
author_variant |
j m o jm jmo j m o jm jmo |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Ortiz, Joseph M., |
title |
Broken Harmony : Shakespeare and the Politics of Music / |
title_sub |
Shakespeare and the Politics of Music / |
title_full |
Broken Harmony : Shakespeare and the Politics of Music / Joseph M. Ortiz. |
title_fullStr |
Broken Harmony : Shakespeare and the Politics of Music / Joseph M. Ortiz. |
title_full_unstemmed |
Broken Harmony : Shakespeare and the Politics of Music / Joseph M. Ortiz. |
title_auth |
Broken Harmony : Shakespeare and the Politics of Music / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Disciplining Music -- 1. Titus Andronicus and the Production of Musical Meaning -- 2. "Her speech is nothing": Mad Speech and the Female Musician -- 3. Teaching Music: The Rule of Allegory -- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest -- 5. Shakespeare's Idolatry: Psalms and Hornpipes in The Winter's Tale -- 6. The Reforming of Reformation: Milton's A Maske -- Selected Bibliography -- Index |
title_new |
Broken Harmony : |
title_sort |
broken harmony : shakespeare and the politics of music / |
publisher |
Cornell University Press, |
publishDate |
2011 |
physical |
1 online resource (280 p.) : 6 halftones Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Disciplining Music -- 1. Titus Andronicus and the Production of Musical Meaning -- 2. "Her speech is nothing": Mad Speech and the Female Musician -- 3. Teaching Music: The Rule of Allegory -- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest -- 5. Shakespeare's Idolatry: Psalms and Hornpipes in The Winter's Tale -- 6. The Reforming of Reformation: Milton's A Maske -- Selected Bibliography -- Index |
isbn |
9780801460920 9783110536157 9780801449314 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR3034 |
callnumber-sort |
PR 43034 O78 42016 |
url |
https://doi.org/10.7591/9780801460920 https://www.degruyter.com/isbn/9780801460920 https://www.degruyter.com/document/cover/isbn/9780801460920/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822.33 |
dewey-sort |
3822.33 |
dewey-raw |
822.33 |
dewey-search |
822.33 |
doi_str_mv |
10.7591/9780801460920 |
oclc_num |
813376185 |
work_keys_str_mv |
AT ortizjosephm brokenharmonyshakespeareandthepoliticsofmusic |
status_str |
n |
ids_txt_mv |
(DE-B1597)478536 (OCoLC)813376185 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
is_hierarchy_title |
Broken Harmony : Shakespeare and the Politics of Music / |
container_title |
Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
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1770176401118330880 |
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