The New Romanian Cinema / / Dana Duma, Christina Stojanova.

The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the firs...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Series:Traditions in World Cinema : TWC
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Physical Description:1 online resource (344 p.) :; 36 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • List of Figures
  • Notes on the Contributors
  • Acknowledgements
  • Traditions in World Cinema
  • Introduction
  • PART I. MODERNISM/MINIMALISM
  • 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema
  • 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged?
  • 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema
  • PART II. INTERMEDIALITY/INTERTEXTUALITY
  • 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu
  • 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo
  • 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films
  • 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu
  • PART III. ETHICS/NEW AESTHETICS
  • 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’
  • 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema
  • 10. Beyond the Hills and Austerity Politics
  • PART IV. GENDER/GENRE
  • 11. Woman Films: Body and Will
  • 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity?
  • PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE
  • 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema
  • 14. New Romanian Cinema: Geography and Identity
  • 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema
  • PART VI. HISTORICAL OVERVIEW
  • 16. Historical Overview of Romanian Cinema
  • Combined Bibliography
  • Filmography of the New Romanian Cinema
  • General Filmography
  • Index of Authors and Film Titles
  • Index of Terms and Concepts