The New Romanian Cinema / / Dana Duma, Christina Stojanova.
The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the firs...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in World Cinema : TWC
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Physical Description: | 1 online resource (344 p.) :; 36 B/W illustrations |
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Duma, Dana, author. aut http://id.loc.gov/vocabulary/relators/aut The New Romanian Cinema / Dana Duma, Christina Stojanova. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (344 p.) : 36 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. Scholars from across Europe and North America are brought together, reflecting on the realism, minimalism and intermedial artifice of New Romanian cinemas, on its approaches to issues of national and gender identity, and on its unique convergence of ethics and aesthetics. With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.ContributorsMelinda Blos-Jáni, Sapientia University, Cluj-NapocaMircea Deaca, University of BucharestDana Duma, Bucharest National University of Theatre and FilmKalling Heck, University of RedlandsRaluca Iacob, independent researcher and film curatorLiviu Lutas, Linnaeus UniversitDominique Nasta, Université Libre de BruxellesÁgnes Pethő, Sapientia Hungarian University, Cluj-NapocaDoru Pop, Babeş-Bolyai University, ClujKatalin Sándor, Babeş-Bolyai University, ClujChristina Stojanova, University of ReginaIrina Trocan, Bucharest National University of Theatre and FilmMarian Țuțui, Hyperion UniversityIoana Uricaru, Middlebury CollegeAndrea Virginás, Sapientia University, Cluj-Napoca Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion pictures-Romania-History-21st century. Film, Media & Cultural Studies. HISTORY / Europe / Eastern. bisacsh Blos-Jáni, Melinda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Deaca, Mircea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Duma, Dana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Heck, Kalling, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Iacob, Raluca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lutas, Liviu, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nasta, Dominique, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pethő, Ágnes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pop, Doru, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stojanova, Christina, author. aut http://id.loc.gov/vocabulary/relators/aut Stojanova, Christina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sándor, Katalin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Trocan, Irina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Uricaru, Ioana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Virginás, Andrea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Țuțui, Marian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9780748642649 https://doi.org/10.1515/9780748696444 https://www.degruyter.com/isbn/9780748696444 Cover https://www.degruyter.com/document/cover/isbn/9780748696444/original |
language |
English |
format |
eBook |
author |
Duma, Dana, Duma, Dana, Stojanova, Christina, |
spellingShingle |
Duma, Dana, Duma, Dana, Stojanova, Christina, The New Romanian Cinema / Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts |
author_facet |
Duma, Dana, Duma, Dana, Stojanova, Christina, Blos-Jáni, Melinda, Blos-Jáni, Melinda, Deaca, Mircea, Deaca, Mircea, Duma, Dana, Duma, Dana, Heck, Kalling, Heck, Kalling, Iacob, Raluca, Iacob, Raluca, Lutas, Liviu, Lutas, Liviu, Nasta, Dominique, Nasta, Dominique, Pethő, Ágnes, Pethő, Ágnes, Pop, Doru, Pop, Doru, Stojanova, Christina, Stojanova, Christina, Stojanova, Christina, Stojanova, Christina, Sándor, Katalin, Sándor, Katalin, Trocan, Irina, Trocan, Irina, Uricaru, Ioana, Uricaru, Ioana, Virginás, Andrea, Virginás, Andrea, Țuțui, Marian, Țuțui, Marian, |
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Blos-Jáni, Melinda, Blos-Jáni, Melinda, Deaca, Mircea, Deaca, Mircea, Duma, Dana, Duma, Dana, Heck, Kalling, Heck, Kalling, Iacob, Raluca, Iacob, Raluca, Lutas, Liviu, Lutas, Liviu, Nasta, Dominique, Nasta, Dominique, Pethő, Ágnes, Pethő, Ágnes, Pop, Doru, Pop, Doru, Stojanova, Christina, Stojanova, Christina, Stojanova, Christina, Stojanova, Christina, Sándor, Katalin, Sándor, Katalin, Trocan, Irina, Trocan, Irina, Uricaru, Ioana, Uricaru, Ioana, Virginás, Andrea, Virginás, Andrea, Țuțui, Marian, Țuțui, Marian, |
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author_sort |
Duma, Dana, |
title |
The New Romanian Cinema / |
title_full |
The New Romanian Cinema / Dana Duma, Christina Stojanova. |
title_fullStr |
The New Romanian Cinema / Dana Duma, Christina Stojanova. |
title_full_unstemmed |
The New Romanian Cinema / Dana Duma, Christina Stojanova. |
title_auth |
The New Romanian Cinema / |
title_alt |
Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts |
title_new |
The New Romanian Cinema / |
title_sort |
the new romanian cinema / |
series |
Traditions in World Cinema : TWC |
series2 |
Traditions in World Cinema : TWC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (344 p.) : 36 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts |
isbn |
9780748696444 9783110780420 9780748642649 |
url |
https://doi.org/10.1515/9780748696444 https://www.degruyter.com/isbn/9780748696444 https://www.degruyter.com/document/cover/isbn/9780748696444/original |
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Not Illustrated |
doi_str_mv |
10.1515/9780748696444 |
oclc_num |
1312727381 |
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The New Romanian Cinema / |
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Historical Overview of Romanian Cinema -- </subfield><subfield code="t">Combined Bibliography -- </subfield><subfield code="t">Filmography of the New Romanian Cinema -- </subfield><subfield code="t">General Filmography -- </subfield><subfield code="t">Index of Authors and Film Titles -- </subfield><subfield code="t">Index of Terms and Concepts</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. 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With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.ContributorsMelinda Blos-Jáni, Sapientia University, Cluj-NapocaMircea Deaca, University of BucharestDana Duma, Bucharest National University of Theatre and FilmKalling Heck, University of RedlandsRaluca Iacob, independent researcher and film curatorLiviu Lutas, Linnaeus UniversitDominique Nasta, Université Libre de BruxellesÁgnes Pethő, Sapientia Hungarian University, Cluj-NapocaDoru Pop, Babeş-Bolyai University, ClujKatalin Sándor, Babeş-Bolyai University, ClujChristina Stojanova, University of ReginaIrina Trocan, Bucharest National University of Theatre and FilmMarian Țuțui, Hyperion UniversityIoana Uricaru, Middlebury CollegeAndrea Virginás, Sapientia University, Cluj-Napoca</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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