Memory, Subjectivity and Independent Chinese Cinema / / Qi Wang.
A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving pers...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2014 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Edinburgh Studies in East Asian Film : ESEAF
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| Online Access: | |
| Physical Description: | 1 online resource (264 p.) :; 36 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- Part I From the Past: Subjectivity, Memory and Narrative
- 1 Toward the Figuration of a Postsocialist Subject
- 2 For a Narration of One's Own
- Part II In the Present: Camera, Documentary and Performance
- 3 Surface and Edge: The Cinema of Jia Zhangke and Lou Ye
- 4 Personal Documentary
- 5 Performing Bodies in Experimental and Digital Media
- Conclusion: China's Luckless but Hopeful Angels of History
- Notes
- Selected Filmography and Bibliography
- Index