Memory, Subjectivity and Independent Chinese Cinema / / Qi Wang.
A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving pers...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2014 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in East Asian Film : ESEAF
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Physical Description: | 1 online resource (264 p.) :; 36 B/W illustrations |
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Wang, Qi, author. aut http://id.loc.gov/vocabulary/relators/aut Memory, Subjectivity and Independent Chinese Cinema / Qi Wang. Edinburgh : Edinburgh University Press, [2022] ©2014 1 online resource (264 p.) : 36 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Studies in East Asian Film : ESEAF Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- Part I From the Past: Subjectivity, Memory and Narrative -- 1 Toward the Figuration of a Postsocialist Subject -- 2 For a Narration of One's Own -- Part II In the Present: Camera, Documentary and Performance -- 3 Surface and Edge: The Cinema of Jia Zhangke and Lou Ye -- 4 Personal Documentary -- 5 Performing Bodies in Experimental and Digital Media -- Conclusion: China's Luckless but Hopeful Angels of History -- Notes -- Selected Filmography and Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A historically informed examination of independent moving image works made between 1990 and 2010 in ChinaMemory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era.Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China.Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures Political aspects China. Motion pictures Social aspects China. Motion pictures China History 20th century. Motion pictures China History 21st century. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 9783110780451 print 9780748692330 https://doi.org/10.1515/9780748692347?locatt=mode:legacy https://www.degruyter.com/isbn/9780748692347 Cover https://www.degruyter.com/document/cover/isbn/9780748692347/original |
language |
English |
format |
eBook |
author |
Wang, Qi, Wang, Qi, |
spellingShingle |
Wang, Qi, Wang, Qi, Memory, Subjectivity and Independent Chinese Cinema / Edinburgh Studies in East Asian Film : ESEAF Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- Part I From the Past: Subjectivity, Memory and Narrative -- 1 Toward the Figuration of a Postsocialist Subject -- 2 For a Narration of One's Own -- Part II In the Present: Camera, Documentary and Performance -- 3 Surface and Edge: The Cinema of Jia Zhangke and Lou Ye -- 4 Personal Documentary -- 5 Performing Bodies in Experimental and Digital Media -- Conclusion: China's Luckless but Hopeful Angels of History -- Notes -- Selected Filmography and Bibliography -- Index |
author_facet |
Wang, Qi, Wang, Qi, |
author_variant |
q w qw q w qw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wang, Qi, |
title |
Memory, Subjectivity and Independent Chinese Cinema / |
title_full |
Memory, Subjectivity and Independent Chinese Cinema / Qi Wang. |
title_fullStr |
Memory, Subjectivity and Independent Chinese Cinema / Qi Wang. |
title_full_unstemmed |
Memory, Subjectivity and Independent Chinese Cinema / Qi Wang. |
title_auth |
Memory, Subjectivity and Independent Chinese Cinema / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- Part I From the Past: Subjectivity, Memory and Narrative -- 1 Toward the Figuration of a Postsocialist Subject -- 2 For a Narration of One's Own -- Part II In the Present: Camera, Documentary and Performance -- 3 Surface and Edge: The Cinema of Jia Zhangke and Lou Ye -- 4 Personal Documentary -- 5 Performing Bodies in Experimental and Digital Media -- Conclusion: China's Luckless but Hopeful Angels of History -- Notes -- Selected Filmography and Bibliography -- Index |
title_new |
Memory, Subjectivity and Independent Chinese Cinema / |
title_sort |
memory, subjectivity and independent chinese cinema / |
series |
Edinburgh Studies in East Asian Film : ESEAF |
series2 |
Edinburgh Studies in East Asian Film : ESEAF |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (264 p.) : 36 B/W illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- Part I From the Past: Subjectivity, Memory and Narrative -- 1 Toward the Figuration of a Postsocialist Subject -- 2 For a Narration of One's Own -- Part II In the Present: Camera, Documentary and Performance -- 3 Surface and Edge: The Cinema of Jia Zhangke and Lou Ye -- 4 Personal Documentary -- 5 Performing Bodies in Experimental and Digital Media -- Conclusion: China's Luckless but Hopeful Angels of History -- Notes -- Selected Filmography and Bibliography -- Index |
isbn |
9780748692347 9783110780451 9780748692330 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 C4 W265 42014 |
geographic_facet |
China. China |
era_facet |
20th century. 21st century. |
url |
https://doi.org/10.1515/9780748692347?locatt=mode:legacy https://www.degruyter.com/isbn/9780748692347 https://www.degruyter.com/document/cover/isbn/9780748692347/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430951 |
dewey-sort |
3791.430951 |
dewey-raw |
791.430951 |
dewey-search |
791.430951 |
doi_str_mv |
10.1515/9780748692347?locatt=mode:legacy |
work_keys_str_mv |
AT wangqi memorysubjectivityandindependentchinesecinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)616235 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Memory, Subjectivity and Independent Chinese Cinema / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
_version_ |
1770176379647688704 |
fullrecord |
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