Post-beur Cinema : : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / / Will Higbee.
A comparative analysis of Maghrebi-French and North African émigré cinema in FranceSince the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. How...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2013 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Traditions in World Cinema : TWC
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| Online Access: | |
| Physical Description: | 1 online resource (288 p.) :; 21 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- List of Illustrations
- 1. Introduction: From Immigrant Cinema to National Cinema
- 2. The (Maghrebi-)French Connection: Diaspora goes Mainstream
- 3. Colonial Fracture and the Counter-Heritage Film
- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche
- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s
- 7. Conclusion: Post-Beur Cinema
- Bibliography
- Index