Post-beur Cinema : : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / / Will Higbee.
A comparative analysis of Maghrebi-French and North African émigré cinema in FranceSince the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. How...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2013 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in World Cinema : TWC
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Physical Description: | 1 online resource (288 p.) :; 21 B/W illustrations |
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Higbee, Will, author. aut http://id.loc.gov/vocabulary/relators/aut Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / Will Higbee. Edinburgh : Edinburgh University Press, [2022] ©2013 1 online resource (288 p.) : 21 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in World Cinema : TWC Frontmatter -- Contents -- Acknowledgements -- List of Illustrations -- 1. Introduction: From Immigrant Cinema to National Cinema -- 2. The (Maghrebi-)French Connection: Diaspora goes Mainstream -- 3. Colonial Fracture and the Counter-Heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A comparative analysis of Maghrebi-French and North African émigré cinema in FranceSince the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African émigré filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society.Through a detailed study of this transformative decade for Maghrebi-French and North African émigré filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook. Its key features include:A comprehensive overview of the key developments in Maghrebi-French and North African émigré filmmaking in France since the 2000s: counter-heritage cinema and the memorialisation of France's colonial past; journey narratives and the myth of return; the 'mainstreaming' of Maghrebi-French directors and stars; representations of Islam.Detailed case studies of key films from the 2000s that have yet to receive scholarly attention, such as Hors-la-loi, Dernier maquis and Vénus noire.An in-depth analysis of trends in production, distribution and exhibition as they relate to Maghrebi-French and North African émigré filmmakers in the 2000s.An absorbing introduction to this recent cinematic tradition, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) Motion picture industry History 21st century France. Motion picture industry France History 21st century. Motion pictures History 21st century France. Motion pictures France History 21st century. North Africans in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748640041 https://doi.org/10.1515/9780748678150?locatt=mode:legacy https://www.degruyter.com/isbn/9780748678150 Cover https://www.degruyter.com/document/cover/isbn/9780748678150/original |
language |
English |
format |
eBook |
author |
Higbee, Will, Higbee, Will, |
spellingShingle |
Higbee, Will, Higbee, Will, Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / Traditions in World Cinema : TWC Frontmatter -- Contents -- Acknowledgements -- List of Illustrations -- 1. Introduction: From Immigrant Cinema to National Cinema -- 2. The (Maghrebi-)French Connection: Diaspora goes Mainstream -- 3. Colonial Fracture and the Counter-Heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema -- Bibliography -- Index |
author_facet |
Higbee, Will, Higbee, Will, |
author_variant |
w h wh w h wh |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Higbee, Will, |
title |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / |
title_sub |
North African Émigré and Maghrebi-French Filmmaking in France since 2000 / |
title_full |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / Will Higbee. |
title_fullStr |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / Will Higbee. |
title_full_unstemmed |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / Will Higbee. |
title_auth |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- List of Illustrations -- 1. Introduction: From Immigrant Cinema to National Cinema -- 2. The (Maghrebi-)French Connection: Diaspora goes Mainstream -- 3. Colonial Fracture and the Counter-Heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema -- Bibliography -- Index |
title_new |
Post-beur Cinema : |
title_sort |
post-beur cinema : north african émigré and maghrebi-french filmmaking in france since 2000 / |
series |
Traditions in World Cinema : TWC |
series2 |
Traditions in World Cinema : TWC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (288 p.) : 21 B/W illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgements -- List of Illustrations -- 1. Introduction: From Immigrant Cinema to National Cinema -- 2. The (Maghrebi-)French Connection: Diaspora goes Mainstream -- 3. Colonial Fracture and the Counter-Heritage Film -- 4. Of Spaces and Difference in the Films of Abdellatif Kechiche -- 5. Home, Displacement and the Myth of Return: Journey Narratives in the 2000s -- 6. Screening Islam: Cinematic Representations of the Muslim Community in France in the 2000s -- 7. Conclusion: Post-Beur Cinema -- Bibliography -- Index |
isbn |
9780748678150 9783110780468 9780748640041 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 F8 H54 42014 |
geographic_facet |
France |
era_facet |
21st century 21st century. |
url |
https://doi.org/10.1515/9780748678150?locatt=mode:legacy https://www.degruyter.com/isbn/9780748678150 https://www.degruyter.com/document/cover/isbn/9780748678150/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.409 |
dewey-sort |
3791.409 |
dewey-raw |
791.409 |
dewey-search |
791.409 |
doi_str_mv |
10.1515/9780748678150?locatt=mode:legacy |
oclc_num |
1301548904 |
work_keys_str_mv |
AT higbeewill postbeurcinemanorthafricanemigreandmaghrebifrenchfilmmakinginfrancesince2000 |
status_str |
n |
ids_txt_mv |
(DE-B1597)616504 (OCoLC)1301548904 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
is_hierarchy_title |
Post-beur Cinema : North African Émigré and Maghrebi-French Filmmaking in France since 2000 / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
_version_ |
1770176377752911872 |
fullrecord |
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