Bergson and the Art of Immanence : : Painting, Photography, Film /

Bergson and the Art of Immanence : : Painting, Photography, Film / / John Ó Maoilearca, Charlotte de Mille.

An immanent turn in art historyThis collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influe...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
VerfasserIn:
Ó Maoilearca, John,
de Mille, Charlotte,
MitwirkendeR:
Alliez, Eric,
Antliff, Mark,
Baraklianou, Stella,
Caygill, Howard,
Colman, Felicity,
Day, James,
Efal, Adi,
Emerling, Jae,
Lundy, Craig,
Mille, Charlotte De,
Mullarkey, John,
O'Sullivan, Simon,
Prendeville, Brendan,
Tuin, Iris Van Der,
Wilson, Sarah,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2013
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (288 p.) :; 23 B/W illustrations 7 B/W line art
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Notes on Contributors
  • Introduction: Art's Philosophy - Bergson and Immanence
  • Part I: Bergson, Art, History
  • 1. Bergson, History and Ontology
  • 2. Art History, Immanently
  • 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel'
  • 4. Matisse, Bergson, Oiticica, etc.
  • 5. Bergson Before Deleuze: How to Read Informel Painting
  • 6. Revolutionary Immanence: Bergson Among the Anarchists
  • Part II: Unconditional Practice
  • 7. The Matter of the Image: Notes on Practice-Philosophy
  • 8. Pasearse: Duration and the Act of Photographing
  • 9. Duration and Rhetorical Movement
  • 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity
  • Part III: Immanence of the Visible
  • 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry
  • 12. 'For We Will Have Shown it Nothing': Bergson as Non- Philosopher (of) Art
  • 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively
  • 14. Hyperaesthesia and the Virtual
  • Afterword: An Art Historical Return to Bergson
  • Index

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