Bergson and the Art of Immanence : : Painting, Photography, Film / / John Ó Maoilearca, Charlotte de Mille.
An immanent turn in art historyThis collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influe...
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Year of Publication: | 2022 |
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Ó Maoilearca, John, author. aut http://id.loc.gov/vocabulary/relators/aut Bergson and the Art of Immanence : Painting, Photography, Film / John Ó Maoilearca, Charlotte de Mille. Edinburgh : Edinburgh University Press, [2022] ©2013 1 online resource (288 p.) : 23 B/W illustrations 7 B/W line art text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction: Art's Philosophy - Bergson and Immanence -- Part I: Bergson, Art, History -- 1. Bergson, History and Ontology -- 2. Art History, Immanently -- 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel' -- 4. Matisse, Bergson, Oiticica, etc. -- 5. Bergson Before Deleuze: How to Read Informel Painting -- 6. Revolutionary Immanence: Bergson Among the Anarchists -- Part II: Unconditional Practice -- 7. The Matter of the Image: Notes on Practice-Philosophy -- 8. Pasearse: Duration and the Act of Photographing -- 9. Duration and Rhetorical Movement -- 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity -- Part III: Immanence of the Visible -- 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry -- 12. 'For We Will Have Shown it Nothing': Bergson as Non- Philosopher (of) Art -- 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively -- 14. Hyperaesthesia and the Virtual -- Afterword: An Art Historical Return to Bergson -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star An immanent turn in art historyThis collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice.Key Features16 essays from world-renowned art theorists, philosophers and Bergson scholarsContributors include Iris van der Tuin, Eric Alliez, Simon O'Sullivan and Howard CaygillOffers a variety of perspectives and methodological approaches that will appeal to both art theorists and practitionersExplores concepts of rhythmic duration, perception, affectivity, the body, memory and intuition - all of which were first formulated as immanent objects through the work of BergsonAbout the Contributors Eric Alliez, Professor, University of Paris 8 and Centre for Research in Modern European Philosophy, Kingston University Mark Antliff, Professor of Art History and Visual Studies, Duke University Stella Baraklianou, photographic artist and lecturer in photography, School of Art, Design and Architecture, University of Huddersfield Howard Caygill, Professor, Centre for Research in Modern European Philosophy, Kingston University Felicity Colman, Director of Studies, Media Department, Manchester School of Art, Manchester Metropolitan University James Day, PhD student, Courtauld Institute of ArtAdi Efal, Gerda Henkel post-doctoral researcher, Thomas institute of the University of CologneJae Emerling, associate professor of modern and contemporary art, College of Arts and Architecture, University of North Carolina, Charlotte Craig Lundy, Research Fellow, Institute for Social Transformation Research, University of Wollongong, Australia Charlotte de Mille, Courtauld GalleryJohn Mullarkey, Professor of Film and Television, Kingston University Simon O'Sullivan, Senior Lecturer in Art History/Visual Culture, Department of Visual Cultures, Goldsmiths College, University of London Brendan Prendeville, art historianIris van der Tuin, Assistant Professor of Gender Studies and Philosophy of Science, Utrecht University, the Netherlands Sarah Wilson, art historian and curator Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Art and philosophy. Immanence (Philosophy). Philosophy. ART / History / General. bisacsh Alliez, Eric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Antliff, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baraklianou, Stella, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Caygill, Howard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Colman, Felicity, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Day, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Efal, Adi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Emerling, Jae, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lundy, Craig, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mille, Charlotte De, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mullarkey, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb O'Sullivan, Simon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Prendeville, Brendan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tuin, Iris Van Der, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wilson, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb de Mille, Charlotte, author. aut http://id.loc.gov/vocabulary/relators/aut Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748670222 https://doi.org/10.1515/9780748670239?locatt=mode:legacy https://www.degruyter.com/isbn/9780748670239 Cover https://www.degruyter.com/document/cover/isbn/9780748670239/original |
language |
English |
format |
eBook |
author |
Ó Maoilearca, John, Ó Maoilearca, John, de Mille, Charlotte, |
spellingShingle |
Ó Maoilearca, John, Ó Maoilearca, John, de Mille, Charlotte, Bergson and the Art of Immanence : Painting, Photography, Film / Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction: Art's Philosophy - Bergson and Immanence -- Part I: Bergson, Art, History -- 1. Bergson, History and Ontology -- 2. Art History, Immanently -- 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel' -- 4. Matisse, Bergson, Oiticica, etc. -- 5. Bergson Before Deleuze: How to Read Informel Painting -- 6. Revolutionary Immanence: Bergson Among the Anarchists -- Part II: Unconditional Practice -- 7. The Matter of the Image: Notes on Practice-Philosophy -- 8. Pasearse: Duration and the Act of Photographing -- 9. Duration and Rhetorical Movement -- 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity -- Part III: Immanence of the Visible -- 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry -- 12. 'For We Will Have Shown it Nothing': Bergson as Non- Philosopher (of) Art -- 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively -- 14. Hyperaesthesia and the Virtual -- Afterword: An Art Historical Return to Bergson -- Index |
author_facet |
Ó Maoilearca, John, Ó Maoilearca, John, de Mille, Charlotte, Alliez, Eric, Alliez, Eric, Antliff, Mark, Antliff, Mark, Baraklianou, Stella, Baraklianou, Stella, Caygill, Howard, Caygill, Howard, Colman, Felicity, Colman, Felicity, Day, James, Day, James, Efal, Adi, Efal, Adi, Emerling, Jae, Emerling, Jae, Lundy, Craig, Lundy, Craig, Mille, Charlotte De, Mille, Charlotte De, Mullarkey, John, Mullarkey, John, O'Sullivan, Simon, O'Sullivan, Simon, Prendeville, Brendan, Prendeville, Brendan, Tuin, Iris Van Der, Tuin, Iris Van Der, Wilson, Sarah, Wilson, Sarah, de Mille, Charlotte, de Mille, Charlotte, |
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Alliez, Eric, Alliez, Eric, Antliff, Mark, Antliff, Mark, Baraklianou, Stella, Baraklianou, Stella, Caygill, Howard, Caygill, Howard, Colman, Felicity, Colman, Felicity, Day, James, Day, James, Efal, Adi, Efal, Adi, Emerling, Jae, Emerling, Jae, Lundy, Craig, Lundy, Craig, Mille, Charlotte De, Mille, Charlotte De, Mullarkey, John, Mullarkey, John, O'Sullivan, Simon, O'Sullivan, Simon, Prendeville, Brendan, Prendeville, Brendan, Tuin, Iris Van Der, Tuin, Iris Van Der, Wilson, Sarah, Wilson, Sarah, de Mille, Charlotte, de Mille, Charlotte, |
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author_sort |
Ó Maoilearca, John, |
title |
Bergson and the Art of Immanence : Painting, Photography, Film / |
title_sub |
Painting, Photography, Film / |
title_full |
Bergson and the Art of Immanence : Painting, Photography, Film / John Ó Maoilearca, Charlotte de Mille. |
title_fullStr |
Bergson and the Art of Immanence : Painting, Photography, Film / John Ó Maoilearca, Charlotte de Mille. |
title_full_unstemmed |
Bergson and the Art of Immanence : Painting, Photography, Film / John Ó Maoilearca, Charlotte de Mille. |
title_auth |
Bergson and the Art of Immanence : Painting, Photography, Film / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction: Art's Philosophy - Bergson and Immanence -- Part I: Bergson, Art, History -- 1. Bergson, History and Ontology -- 2. Art History, Immanently -- 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel' -- 4. Matisse, Bergson, Oiticica, etc. -- 5. Bergson Before Deleuze: How to Read Informel Painting -- 6. Revolutionary Immanence: Bergson Among the Anarchists -- Part II: Unconditional Practice -- 7. The Matter of the Image: Notes on Practice-Philosophy -- 8. Pasearse: Duration and the Act of Photographing -- 9. Duration and Rhetorical Movement -- 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity -- Part III: Immanence of the Visible -- 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry -- 12. 'For We Will Have Shown it Nothing': Bergson as Non- Philosopher (of) Art -- 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively -- 14. Hyperaesthesia and the Virtual -- Afterword: An Art Historical Return to Bergson -- Index |
title_new |
Bergson and the Art of Immanence : |
title_sort |
bergson and the art of immanence : painting, photography, film / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (288 p.) : 23 B/W illustrations 7 B/W line art Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction: Art's Philosophy - Bergson and Immanence -- Part I: Bergson, Art, History -- 1. Bergson, History and Ontology -- 2. Art History, Immanently -- 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel' -- 4. Matisse, Bergson, Oiticica, etc. -- 5. Bergson Before Deleuze: How to Read Informel Painting -- 6. Revolutionary Immanence: Bergson Among the Anarchists -- Part II: Unconditional Practice -- 7. The Matter of the Image: Notes on Practice-Philosophy -- 8. Pasearse: Duration and the Act of Photographing -- 9. Duration and Rhetorical Movement -- 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity -- Part III: Immanence of the Visible -- 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry -- 12. 'For We Will Have Shown it Nothing': Bergson as Non- Philosopher (of) Art -- 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively -- 14. Hyperaesthesia and the Virtual -- Afterword: An Art Historical Return to Bergson -- Index |
isbn |
9780748670239 9783110780468 9780748670222 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
B - Philosophy |
callnumber-label |
B2430 |
callnumber-sort |
B 42430 B43 |
url |
https://doi.org/10.1515/9780748670239?locatt=mode:legacy https://www.degruyter.com/isbn/9780748670239 https://www.degruyter.com/document/cover/isbn/9780748670239/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.92 |
dewey-sort |
3700.92 |
dewey-raw |
700.92 |
dewey-search |
700.92 |
doi_str_mv |
10.1515/9780748670239?locatt=mode:legacy |
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