Deleuze and Film / / David Martin-Jones, William Brown.
A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aestheti...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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| VerfasserIn: | |
| MitwirkendeR: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Deleuze Connections : DECO
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| Online Access: | |
| Physical Description: | 1 online resource (248 p.) :; 3 B/W line art |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Deleuze’s World Tour of Cinema
- 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History
- 2 Philosophy, Politics and Homage in Tears of the Black Tiger
- 3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism
- 4 The Rebirth of the World: Cinema According to Baz Luhrmann
- 5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard
- 6 In Search of Lost Reality: Waltzing with Bashir
- 7 The Schizoanalysis of European Surveillance Films
- 8 Fictions of the Imagination: Habit, Genre and the Powers of the False
- 9 Feminine Energies, or the Outside of Noir
- 10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy
- 11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do?
- 12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality
- Notes on Contributors
- Index