Deleuze and Film / / David Martin-Jones, William Brown.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Martin-Jones, David,; Brown, William,
• MitwirkendeR: Brown, William,; Deamer, David,; Fleming, David H.,; Hadjioannou, Markos,; Herzog, Amy,; Jeong, Seung-hoon,; Martin-Jones, David,; Pekerman, Serazer,; Powell, Anna,; Rushton, Richard,; Río, Elena del,; Sutton, Damian,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2012
• Year of Publication: 2022
• Language: English
• Series: Deleuze Connections : DECO
• Physical Description: 1 online resource (248 p.) :; 3 B/W line art

A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key FeaturesAnalyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The LizardDiscusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button Includes a dedicated chapter on the animated documentary Waltz with BashirStudies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann

Table of Contents

Frontmatter -- Contents -- Acknowledgements -- Introduction: Deleuze’s World Tour of Cinema -- 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History -- 2 Philosophy, Politics and Homage in Tears of the Black Tiger -- 3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism -- 4 The Rebirth of the World: Cinema According to Baz Luhrmann -- 5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard -- 6 In Search of Lost Reality: Waltzing with Bashir -- 7 The Schizoanalysis of European Surveillance Films -- 8 Fictions of the Imagination: Habit, Genre and the Powers of the False -- 9 Feminine Energies, or the Outside of Noir -- 10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy -- 11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? -- 12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality -- Notes on Contributors -- Index