Breaking the Fourth Wall : : Direct Address in the Cinema / / Tom Brown.
GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask so...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (208 p.) :; 20 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780748644261 |
---|---|
lccn |
2012452777 |
ctrlnum |
(DE-B1597)615622 (OCoLC)1302165310 |
collection |
bib_alma |
record_format |
marc |
spelling |
Brown, Tom, author. aut http://id.loc.gov/vocabulary/relators/aut Breaking the Fourth Wall : Direct Address in the Cinema / Tom Brown. Edinburgh : Edinburgh University Press, [2022] ©2012 1 online resource (208 p.) : 20 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- List of figures -- Preface -- Chapter 1 Introduction: direct address in film history, theory and criticism -- Chapter 2 Counter-looks: direct address and counter-cinema -- Chapter 3 Looks of invitation: comedic and musical direct address -- Chapter 4 Le Notti di Cabiria (1957) -- Chapter 5 High Fidelity (2000) -- Chapter 6 La Ronde (1950) -- Chapter 7 Conclusion -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other." Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Dialogue in motion pictures. Experimental films History and criticism. Motion pictures History. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748644254 https://doi.org/10.1515/9780748644261 https://www.degruyter.com/isbn/9780748644261 Cover https://www.degruyter.com/document/cover/isbn/9780748644261/original |
language |
English |
format |
eBook |
author |
Brown, Tom, Brown, Tom, |
spellingShingle |
Brown, Tom, Brown, Tom, Breaking the Fourth Wall : Direct Address in the Cinema / Frontmatter -- Contents -- Acknowledgements -- List of figures -- Preface -- Chapter 1 Introduction: direct address in film history, theory and criticism -- Chapter 2 Counter-looks: direct address and counter-cinema -- Chapter 3 Looks of invitation: comedic and musical direct address -- Chapter 4 Le Notti di Cabiria (1957) -- Chapter 5 High Fidelity (2000) -- Chapter 6 La Ronde (1950) -- Chapter 7 Conclusion -- Bibliography -- Index |
author_facet |
Brown, Tom, Brown, Tom, |
author_variant |
t b tb t b tb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Brown, Tom, |
title |
Breaking the Fourth Wall : Direct Address in the Cinema / |
title_sub |
Direct Address in the Cinema / |
title_full |
Breaking the Fourth Wall : Direct Address in the Cinema / Tom Brown. |
title_fullStr |
Breaking the Fourth Wall : Direct Address in the Cinema / Tom Brown. |
title_full_unstemmed |
Breaking the Fourth Wall : Direct Address in the Cinema / Tom Brown. |
title_auth |
Breaking the Fourth Wall : Direct Address in the Cinema / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- List of figures -- Preface -- Chapter 1 Introduction: direct address in film history, theory and criticism -- Chapter 2 Counter-looks: direct address and counter-cinema -- Chapter 3 Looks of invitation: comedic and musical direct address -- Chapter 4 Le Notti di Cabiria (1957) -- Chapter 5 High Fidelity (2000) -- Chapter 6 La Ronde (1950) -- Chapter 7 Conclusion -- Bibliography -- Index |
title_new |
Breaking the Fourth Wall : |
title_sort |
breaking the fourth wall : direct address in the cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (208 p.) : 20 B/W illustrations |
contents |
Frontmatter -- Contents -- Acknowledgements -- List of figures -- Preface -- Chapter 1 Introduction: direct address in film history, theory and criticism -- Chapter 2 Counter-looks: direct address and counter-cinema -- Chapter 3 Looks of invitation: comedic and musical direct address -- Chapter 4 Le Notti di Cabiria (1957) -- Chapter 5 High Fidelity (2000) -- Chapter 6 La Ronde (1950) -- Chapter 7 Conclusion -- Bibliography -- Index |
isbn |
9780748644261 9783110780468 9780748644254 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 D49 B76 42012 |
url |
https://doi.org/10.1515/9780748644261 https://www.degruyter.com/isbn/9780748644261 https://www.degruyter.com/document/cover/isbn/9780748644261/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.436 |
dewey-sort |
3791.436 |
dewey-raw |
791.436 |
dewey-search |
791.436 |
doi_str_mv |
10.1515/9780748644261 |
oclc_num |
1302165310 |
work_keys_str_mv |
AT browntom breakingthefourthwalldirectaddressinthecinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)615622 (OCoLC)1302165310 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
is_hierarchy_title |
Breaking the Fourth Wall : Direct Address in the Cinema / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
_version_ |
1770176376403394560 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03681nam a22007095i 4500</leader><controlfield tag="001">9780748644261</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222012stk fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2012452777</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748644261</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748644261</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)615622</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1302165310</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1995.9.D49</subfield><subfield code="b">B76 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.436</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brown, Tom, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Breaking the Fourth Wall :</subfield><subfield code="b">Direct Address in the Cinema /</subfield><subfield code="c">Tom Brown.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (208 p.) :</subfield><subfield code="b">20 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">List of figures -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Chapter 1 Introduction: direct address in film history, theory and criticism -- </subfield><subfield code="t">Chapter 2 Counter-looks: direct address and counter-cinema -- </subfield><subfield code="t">Chapter 3 Looks of invitation: comedic and musical direct address -- </subfield><subfield code="t">Chapter 4 Le Notti di Cabiria (1957) -- </subfield><subfield code="t">Chapter 5 High Fidelity (2000) -- </subfield><subfield code="t">Chapter 6 La Ronde (1950) -- </subfield><subfield code="t">Chapter 7 Conclusion -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other."</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dialogue in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Experimental films</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Backlist eBook-Package 2013-2000</subfield><subfield code="z">9783110780468</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780748644254</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748644261</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780748644261</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780748644261/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078046-8 Edinburgh University Press Backlist eBook-Package 2013-2000</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |