Breaking the Fourth Wall : : Direct Address in the Cinema / / Tom Brown.
GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask so...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (208 p.) :; 20 B/W illustrations |
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001 | 9780748644261 | ||
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100 | 1 | |a Brown, Tom, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Breaking the Fourth Wall : |b Direct Address in the Cinema / |c Tom Brown. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2012 | |
300 | |a 1 online resource (208 p.) : |b 20 B/W illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t List of figures -- |t Preface -- |t Chapter 1 Introduction: direct address in film history, theory and criticism -- |t Chapter 2 Counter-looks: direct address and counter-cinema -- |t Chapter 3 Looks of invitation: comedic and musical direct address -- |t Chapter 4 Le Notti di Cabiria (1957) -- |t Chapter 5 High Fidelity (2000) -- |t Chapter 6 La Ronde (1950) -- |t Chapter 7 Conclusion -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other." | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Dialogue in motion pictures. | |
650 | 0 | |a Experimental films |x History and criticism. | |
650 | 0 | |a Motion pictures |x History. | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Backlist eBook-Package 2013-2000 |z 9783110780468 |
776 | 0 | |c print |z 9780748644254 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748644261 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780748644261 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780748644261/original |
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