Music Video and the Politics of Representation / / Diane Railton, Paul Watson.
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening ana...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2011 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Music and the Moving Image : MMI
|
| Online Access: | |
| Physical Description: | 1 online resource (184 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE?
- PART I TOWARDS A CRITICAL VOCABULARY
- 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE
- 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS
- 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY
- PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO
- 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY
- 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY
- 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY
- AFTERWORD: MUSIC VIDEO GOES GAGA
- BIBLIOGRAPHY
- INDEX