Music Video and the Politics of Representation / / Diane Railton, Paul Watson.
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening ana...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2011 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Music and the Moving Image : MMI
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| Physical Description: | 1 online resource (184 p.) |
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Railton, Diane, author. aut http://id.loc.gov/vocabulary/relators/aut Music Video and the Politics of Representation / Diane Railton, Paul Watson. Edinburgh : Edinburgh University Press, [2022] ©2011 1 online resource (184 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Music and the Moving Image : MMI Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE? -- PART I TOWARDS A CRITICAL VOCABULARY -- 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE -- 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS -- 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY -- PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO -- 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY -- 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY -- 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY -- AFTERWORD: MUSIC VIDEO GOES GAGA -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century.Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies.Key FeaturesProvides a framework for how to describe and analyse a music video.Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Feminism and music. Music videos History and criticism. Music videos Social aspects. Film, Media & Cultural Studies. MUSIC / Genres & Styles / Pop Vocal. bisacsh Watson, Paul, author. aut http://id.loc.gov/vocabulary/relators/aut Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748633227 https://doi.org/10.1515/9780748633241?locatt=mode:legacy https://www.degruyter.com/isbn/9780748633241 Cover https://www.degruyter.com/document/cover/isbn/9780748633241/original |
| language |
English |
| format |
eBook |
| author |
Railton, Diane, Railton, Diane, Watson, Paul, |
| spellingShingle |
Railton, Diane, Railton, Diane, Watson, Paul, Music Video and the Politics of Representation / Music and the Moving Image : MMI Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE? -- PART I TOWARDS A CRITICAL VOCABULARY -- 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE -- 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS -- 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY -- PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO -- 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY -- 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY -- 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY -- AFTERWORD: MUSIC VIDEO GOES GAGA -- BIBLIOGRAPHY -- INDEX |
| author_facet |
Railton, Diane, Railton, Diane, Watson, Paul, Watson, Paul, Watson, Paul, |
| author_variant |
d r dr d r dr p w pw |
| author_role |
VerfasserIn VerfasserIn VerfasserIn |
| author2 |
Watson, Paul, Watson, Paul, |
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p w pw |
| author2_role |
VerfasserIn VerfasserIn |
| author_sort |
Railton, Diane, |
| title |
Music Video and the Politics of Representation / |
| title_full |
Music Video and the Politics of Representation / Diane Railton, Paul Watson. |
| title_fullStr |
Music Video and the Politics of Representation / Diane Railton, Paul Watson. |
| title_full_unstemmed |
Music Video and the Politics of Representation / Diane Railton, Paul Watson. |
| title_auth |
Music Video and the Politics of Representation / |
| title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE? -- PART I TOWARDS A CRITICAL VOCABULARY -- 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE -- 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS -- 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY -- PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO -- 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY -- 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY -- 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY -- AFTERWORD: MUSIC VIDEO GOES GAGA -- BIBLIOGRAPHY -- INDEX |
| title_new |
Music Video and the Politics of Representation / |
| title_sort |
music video and the politics of representation / |
| series |
Music and the Moving Image : MMI |
| series2 |
Music and the Moving Image : MMI |
| publisher |
Edinburgh University Press, |
| publishDate |
2022 |
| physical |
1 online resource (184 p.) |
| contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: THE KLEENEXES OF POPULAR CULTURE? -- PART I TOWARDS A CRITICAL VOCABULARY -- 1. SITUATING MUSIC VIDEO: BETWEEN FEMINISM AND POPULAR CULTURE -- 2. GENRE AND MUSIC VIDEO: CONFIGURATIONS AND FUNCTIONS -- 3. MAKING IT REAL: AUTHORSHIP AND AUTHENTICITY -- PART II SEXED, RACED AND GENDERED IDENTITY IN MUSIC VIDEO -- 4. MUSIC VIDEO IN BLACK AND WHITE: RACE AND FEMININITY -- 5. THAT LATIN(A) LOOK: PERFORMING ETHNICITY -- 6. MASCULINITY AND THE ABSENT PRESENCE OF THE MALE BODY -- AFTERWORD: MUSIC VIDEO GOES GAGA -- BIBLIOGRAPHY -- INDEX |
| isbn |
9780748633241 9783110780468 9780748633227 |
| url |
https://doi.org/10.1515/9780748633241?locatt=mode:legacy https://www.degruyter.com/isbn/9780748633241 https://www.degruyter.com/document/cover/isbn/9780748633241/original |
| illustrated |
Not Illustrated |
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10.1515/9780748633241?locatt=mode:legacy |
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1302162091 |
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Music Video and the Politics of Representation / |
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Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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