Creating the Couple : : Love, Marriage, and Hollywood Performance / / Virginia Wexman Wexman.
Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©1993 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (336 p.) :; 189 halftones |
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LEADER | 07792nam a22018135i 4500 | ||
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001 | 9780691238180 | ||
003 | DE-B1597 | ||
005 | 20220629043637.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 220629t20221993nju fo d z eng d | ||
020 | |a 9780691238180 | ||
024 | 7 | |a 10.1515/9780691238180 |2 doi | |
035 | |a (DE-B1597)609930 | ||
035 | |a (OCoLC)1291507237 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nju |c US-NJ | ||
072 | 7 | |a PER004030 |2 bisacsh | |
100 | 1 | |a Wexman, Virginia Wexman, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Creating the Couple : |b Love, Marriage, and Hollywood Performance / |c Virginia Wexman Wexman. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2022] | |
264 | 4 | |c ©1993 | |
300 | |a 1 online resource (336 p.) : |b 189 halftones | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t PREFACE -- |t PART I Introduction: The Movies as Social Ritual -- |t 1. Romantic Love, Changing Marriage Norms, and Stars as Behavioral Models -- |t PART II Patriarchal Marriage and Traditional Gender Identities -- |t 2. Star and Auteur: The Griffith-Gish Collaboration and the Struggle over Patriarchal Marriage -- |t 3. Star and Genre: John Wayne, the Western, and the American Dream of the Family on the Land -- |t PART III Companionate Marriage and Changing Constructions of Gender and Sexuality -- |t 4. The Love Goddess: Contradictions in the Myth of Glamour -- |t 5. Masculinity in Crisis: Method Acting in Hollywood -- |t PART IV Epilogue: Beyond the Couple -- |t 6. The Destabilization of Gender Norms and Acting as Performance -- |t Illustrations -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film critics have paid little attention to the impact of performance styles on American romance, and have often treated "patriarchy," "sexuality," and the "couple" as monolithic and unproblematic concepts. Wexman, however, shows how these notions have been periodically transformed in close association with the appearance, behavior, and persona of the stars of films such as The Maltese Falcon, The Big Sleep, Way Down East, The Man Who Shot Liberty Valance, Sunset Boulevard, On the Waterfront, Nashville, House of Games, and Do the Right Thing. The author focuses first on the way in which traditional marriage norms relate to authorship (the Griffith-Gish collaboration) and genre (John Wayne and the Western). Looking at male and female stardom in terms of the development of "companionate marriage," she discusses the love goddess and the impact of method acting on Hollywood's ideals of maleness. Finally she considers the recent breakdown of the ideal of monogamous marriage in relation to Hollywood's experimentation with self-reflexive acting styles. Creating the Couple is must reading for film scholars and enthusiasts, and it will fascinate everyone interested in the changing relationships of men and women in modern culture. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
653 | |a Acting. | ||
653 | |a Actor. | ||
653 | |a Affective memory. | ||
653 | |a Anglo. | ||
653 | |a Broken Blossoms. | ||
653 | |a Chapter 1 (House of Cards). | ||
653 | |a Chapter Two (play). | ||
653 | |a Character (arts). | ||
653 | |a Christian Dior. | ||
653 | |a Cinema of the United States. | ||
653 | |a Classical Hollywood cinema. | ||
653 | |a Close-up. | ||
653 | |a Colonization. | ||
653 | |a Consideration. | ||
653 | |a Courtship. | ||
653 | |a D. W. Griffith. | ||
653 | |a Division of labour. | ||
653 | |a Do the Right Thing. | ||
653 | |a Elia Kazan. | ||
653 | |a Endogamy. | ||
653 | |a Eroticism. | ||
653 | |a Exogamy. | ||
653 | |a Fan magazine. | ||
653 | |a Femininity. | ||
653 | |a Film noir. | ||
653 | |a Filmmaking. | ||
653 | |a Gary Cooper. | ||
653 | |a Gender role. | ||
653 | |a Genre. | ||
653 | |a Hegemony. | ||
653 | |a Hermann Broch. | ||
653 | |a Hollywood Star. | ||
653 | |a Homoeroticism. | ||
653 | |a Homosexuality. | ||
653 | |a House of Games. | ||
653 | |a Ideology. | ||
653 | |a Improvisation. | ||
653 | |a Incest. | ||
653 | |a Individualism. | ||
653 | |a Individuation. | ||
653 | |a Ingrid Bergman. | ||
653 | |a Lauren Bacall. | ||
653 | |a Libido. | ||
653 | |a Lifestyle (sociology). | ||
653 | |a Male bonding. | ||
653 | |a Margaret Herrick Library. | ||
653 | |a Marlon Brando. | ||
653 | |a Marsha Norman. | ||
653 | |a Masculinity. | ||
653 | |a Mean Streets. | ||
653 | |a Melodrama. | ||
653 | |a Method acting. | ||
653 | |a Mexicans. | ||
653 | |a Miscegenation. | ||
653 | |a Monogamy. | ||
653 | |a Montgomery Clift. | ||
653 | |a Moscow Art Theatre. | ||
653 | |a My Darling Clementine. | ||
653 | |a Narcissism. | ||
653 | |a Narrative. | ||
653 | |a Nobility. | ||
653 | |a On the Waterfront. | ||
653 | |a Oppression. | ||
653 | |a Orphans of the Storm. | ||
653 | |a Patriarchy. | ||
653 | |a Person. | ||
653 | |a Personhood. | ||
653 | |a Philosophy. | ||
653 | |a Playwright. | ||
653 | |a Post-structuralism. | ||
653 | |a Potentiality and actuality. | ||
653 | |a Psychoanalysis. | ||
653 | |a Public figure. | ||
653 | |a Publicity. | ||
653 | |a Richard Dyer. | ||
653 | |a Role-playing. | ||
653 | |a Romantic hero. | ||
653 | |a Royal intermarriage. | ||
653 | |a Sam Spade. | ||
653 | |a Satire. | ||
653 | |a Self-actualization. | ||
653 | |a Separate spheres. | ||
653 | |a Sex differences in humans. | ||
653 | |a Sexual desire. | ||
653 | |a Struggle (TV series). | ||
653 | |a Suggestion. | ||
653 | |a Sunset Boulevard (musical). | ||
653 | |a Superiority (short story). | ||
653 | |a Tall in the Saddle. | ||
653 | |a Terminology. | ||
653 | |a The Big Sleep. | ||
653 | |a The Maltese Falcon (novel). | ||
653 | |a The Man Who Shot Liberty Valance. | ||
653 | |a The Mothering Heart. | ||
653 | |a The Other Hand. | ||
653 | |a War film. | ||
653 | |a Way Down East. | ||
653 | |a Western (genre). | ||
653 | |a White's. | ||
653 | |a Writing. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780691238180?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780691238180 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780691238180/original |
912 | |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999 |c 1927 |d 1999 | ||
912 | |a EBA_BACKALL | ||
912 | |a EBA_CL_MUAR | ||
912 | |a EBA_EBACKALL | ||
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