Hollywood's Artists : : The Directors Guild of America and the Construction of Authorship / / Virginia Wright Wexman.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2020
• VerfasserIn: Wexman, Virginia Wright,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Series: Film and Culture Series
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; CHAPTER ONE. Directors as Artists: The DGA Rides the Wave --; CHAPTER TWO. Charisma and Competition: The DGA Stakes Its Claim --; CHAPTER THREE. Recognition: The DGA Takes Credit --; CHAPTER FOUR. Politics: The DGA Stages HUAC --; CHAPTER FIVE. Law: The DGA and Artists as Owners --; Conclusion --; Appendix A: Beyond Creative Rights --; Appendix B: Chronology of the Directors Guild of America --; Appendix C: Officers of the Directors Guild of America --; Appendix D: Chronology of the Artists Rights Foundation --; Notes --; Bibliography --; Index --; FILM AND CULTURE
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231551434; 9783110710977; 9783110704655; 9783110704785; 9783110704716; 9783110704518
• DOI: 10.7312/wexm19568
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Virginia Wright Wexman.

Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.