Writing for Hire : : Unions, Hollywood, and Madison Avenue / / Catherine L. Fisk.
Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in thes...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 |
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| Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (296 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Abbreviations Used in the Text
- Introduction
- Act I: Beginnings
- 1. The Cloak of Anonymity and the Literary Gunman
- 2. The New Story System
- Act II. Intersections
- 3. Agency-Built Storytelling
- 4. The Revolution Will Be Televised
- 5. The Writer's Share
- Act III. Denouement
- 6. The Blacklist
- 7. Pencils for Hire and Mad Men in Gray Flannel Suits
- Conclusion
- Notes
- Archival Sources
- Acknowledgments
- Index