Writing for Hire : : Unions, Hollywood, and Madison Avenue / / Catherine L. Fisk.
Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in thes...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 |
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (296 p.) |
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Other title: | Frontmatter -- Contents -- Abbreviations Used in the Text -- Introduction -- Act I: Beginnings -- 1. The Cloak of Anonymity and the Literary Gunman -- 2. The New Story System -- Act II. Intersections -- 3. Agency-Built Storytelling -- 4. The Revolution Will Be Televised -- 5. The Writer's Share -- Act III. Denouement -- 6. The Blacklist -- 7. Pencils for Hire and Mad Men in Gray Flannel Suits -- Conclusion -- Notes -- Archival Sources -- Acknowledgments -- Index |
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Summary: | Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780674973183 9783110485103 9783110485202 9783110638585 |
DOI: | 10.4159/9780674973183 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Catherine L. Fisk. |