Writing for Hire : : Unions, Hollywood, and Madison Avenue / / Catherine L. Fisk.

Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in thes...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2016]
©2016
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (296 p.)
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Description
Other title:Frontmatter --
Contents --
Abbreviations Used in the Text --
Introduction --
Act I: Beginnings --
1. The Cloak of Anonymity and the Literary Gunman --
2. The New Story System --
Act II. Intersections --
3. Agency-Built Storytelling --
4. The Revolution Will Be Televised --
5. The Writer's Share --
Act III. Denouement --
6. The Blacklist --
7. Pencils for Hire and Mad Men in Gray Flannel Suits --
Conclusion --
Notes --
Archival Sources --
Acknowledgments --
Index
Summary:Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780674973183
9783110485103
9783110485202
9783110638585
DOI:10.4159/9780674973183
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Catherine L. Fisk.