The Language of Drawing and Painting / / Arthur Pope.
Saved in:
Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
---|---|
VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1949 |
Year of Publication: | 2013 |
Edition: | Reprint 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (162 p.) :; 53 illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780674863767 |
---|---|
ctrlnum |
(DE-B1597)249702 (OCoLC)900850277 |
collection |
bib_alma |
record_format |
marc |
spelling |
Pope, Arthur, author. aut http://id.loc.gov/vocabulary/relators/aut The Language of Drawing and Painting / Arthur Pope. Reprint 2014 Cambridge, MA : Harvard University Press, [2013] ©1949 1 online resource (162 p.) : 53 illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- PREFACE -- CONTENTS -- PLATES -- PART ONE. THE TERMS OF DRAWING AND PAINTING -- I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- 3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- 4. THE VISUAL EFFECT -- 5. THE MODES OF DRAWING -- 6. THE MODES OF PAINTING -- 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- APPENDIX -- I. DESIGN IN TONE RELATIONS -- II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- BIBLIOGRAPHICAL NOTE -- PLATES restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Color. Drawing. Malerei. Painting. ART / General. bisacsh Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package 9783110353471 ZDB-23-HAA Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package 9783110353488 ZDB-23-HCO Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 9783110442212 print 9780674862623 https://doi.org/10.4159/harvard.9780674863767 https://www.degruyter.com/isbn/9780674863767 Cover https://www.degruyter.com/cover/covers/9780674863767.jpg |
language |
English |
format |
eBook |
author |
Pope, Arthur, Pope, Arthur, |
spellingShingle |
Pope, Arthur, Pope, Arthur, The Language of Drawing and Painting / Frontmatter -- PREFACE -- CONTENTS -- PLATES -- PART ONE. THE TERMS OF DRAWING AND PAINTING -- I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- 3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- 4. THE VISUAL EFFECT -- 5. THE MODES OF DRAWING -- 6. THE MODES OF PAINTING -- 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- APPENDIX -- I. DESIGN IN TONE RELATIONS -- II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- BIBLIOGRAPHICAL NOTE -- PLATES |
author_facet |
Pope, Arthur, Pope, Arthur, |
author_variant |
a p ap a p ap |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Pope, Arthur, |
title |
The Language of Drawing and Painting / |
title_full |
The Language of Drawing and Painting / Arthur Pope. |
title_fullStr |
The Language of Drawing and Painting / Arthur Pope. |
title_full_unstemmed |
The Language of Drawing and Painting / Arthur Pope. |
title_auth |
The Language of Drawing and Painting / |
title_alt |
Frontmatter -- PREFACE -- CONTENTS -- PLATES -- PART ONE. THE TERMS OF DRAWING AND PAINTING -- I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- 3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- 4. THE VISUAL EFFECT -- 5. THE MODES OF DRAWING -- 6. THE MODES OF PAINTING -- 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- APPENDIX -- I. DESIGN IN TONE RELATIONS -- II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- BIBLIOGRAPHICAL NOTE -- PLATES |
title_new |
The Language of Drawing and Painting / |
title_sort |
the language of drawing and painting / |
publisher |
Harvard University Press, |
publishDate |
2013 |
physical |
1 online resource (162 p.) : 53 illustrations |
edition |
Reprint 2014 |
contents |
Frontmatter -- PREFACE -- CONTENTS -- PLATES -- PART ONE. THE TERMS OF DRAWING AND PAINTING -- I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- 3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- 4. THE VISUAL EFFECT -- 5. THE MODES OF DRAWING -- 6. THE MODES OF PAINTING -- 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- APPENDIX -- I. DESIGN IN TONE RELATIONS -- II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- BIBLIOGRAPHICAL NOTE -- PLATES |
isbn |
9780674863767 9783110353471 9783110353488 9783110442212 9780674862623 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NC - Drawing, Design, Illustration |
callnumber-label |
NC710 |
callnumber-sort |
NC 3710 |
url |
https://doi.org/10.4159/harvard.9780674863767 https://www.degruyter.com/isbn/9780674863767 https://www.degruyter.com/cover/covers/9780674863767.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
750 - Painting & paintings |
dewey-full |
750 |
dewey-sort |
3750 |
dewey-raw |
750 |
dewey-search |
750 |
doi_str_mv |
10.4159/harvard.9780674863767 |
oclc_num |
900850277 |
work_keys_str_mv |
AT popearthur thelanguageofdrawingandpainting AT popearthur languageofdrawingandpainting |
status_str |
n |
ids_txt_mv |
(DE-B1597)249702 (OCoLC)900850277 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 |
is_hierarchy_title |
The Language of Drawing and Painting / |
container_title |
Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
_version_ |
1806143254427598848 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04124nam a22009255i 4500</leader><controlfield tag="001">9780674863767</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210830012106.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210830t20131949mau fo d z eng d</controlfield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1013936089</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1029815485</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1032692458</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1037980330</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1041978882</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1046610972</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1047000927</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1049664425</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1054881303</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674863767</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/harvard.9780674863767</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)249702</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)900850277</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">mau</subfield><subfield code="c">US-MA</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NC710</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">750</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pope, Arthur, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Language of Drawing and Painting /</subfield><subfield code="c">Arthur Pope.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Reprint 2014</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, MA : </subfield><subfield code="b">Harvard University Press, </subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1949</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (162 p.) :</subfield><subfield code="b">53 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">PREFACE -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">PLATES -- </subfield><subfield code="t">PART ONE. THE TERMS OF DRAWING AND PAINTING -- </subfield><subfield code="t">I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- </subfield><subfield code="t">2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- </subfield><subfield code="t">PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- </subfield><subfield code="t">3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- </subfield><subfield code="t">4. THE VISUAL EFFECT -- </subfield><subfield code="t">5. THE MODES OF DRAWING -- </subfield><subfield code="t">6. THE MODES OF PAINTING -- </subfield><subfield code="t">7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- </subfield><subfield code="t">8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- </subfield><subfield code="t">9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- </subfield><subfield code="t">APPENDIX -- </subfield><subfield code="t">I. DESIGN IN TONE RELATIONS -- </subfield><subfield code="t">II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- </subfield><subfield code="t">III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- </subfield><subfield code="t">IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- </subfield><subfield code="t">BIBLIOGRAPHICAL NOTE -- </subfield><subfield code="t">PLATES</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Color.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Drawing.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Malerei.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painting.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Drawing.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">HUP e-dition: Art & Architecture eBook Package</subfield><subfield code="z">9783110353471</subfield><subfield code="o">ZDB-23-HAA</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">HUP e-dition: Complete eBook Package</subfield><subfield code="z">9783110353488</subfield><subfield code="o">ZDB-23-HCO</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">HUP eBook Package Archive 1893-1999</subfield><subfield code="z">9783110442212</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780674862623</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4159/harvard.9780674863767</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780674863767</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780674863767.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044221-2 HUP eBook Package Archive 1893-1999</subfield><subfield code="c">1893</subfield><subfield code="d">1999</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA18STMEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-HAA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-HCO</subfield></datafield></record></collection> |