The Language of Drawing and Painting / / Arthur Pope.
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Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1949 |
Year of Publication: | 2013 |
Edition: | Reprint 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (162 p.) :; 53 illustrations |
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Other title: | Frontmatter -- PREFACE -- CONTENTS -- PLATES -- PART ONE. THE TERMS OF DRAWING AND PAINTING -- I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID -- 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE -- PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING -- 3. THE VISUAL IMAGE AND VISUAL CONCEPTS -- 4. THE VISUAL EFFECT -- 5. THE MODES OF DRAWING -- 6. THE MODES OF PAINTING -- 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING -- 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES -- 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING -- APPENDIX -- I. DESIGN IN TONE RELATIONS -- II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES -- III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES -- IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. -- BIBLIOGRAPHICAL NOTE -- PLATES |
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Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780674863767 9783110353471 9783110353488 9783110442212 |
DOI: | 10.4159/harvard.9780674863767 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Arthur Pope. |