The Language of Drawing and Painting / / Arthur Pope.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
VerfasserIn:
Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2013]
©1949
Year of Publication:2013
Edition:Reprint 2014
Language:English
Online Access:
Physical Description:1 online resource (162 p.) :; 53 illustrations
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Description
Other title:Frontmatter --
PREFACE --
CONTENTS --
PLATES --
PART ONE. THE TERMS OF DRAWING AND PAINTING --
I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID --
2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE --
PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING --
3. THE VISUAL IMAGE AND VISUAL CONCEPTS --
4. THE VISUAL EFFECT --
5. THE MODES OF DRAWING --
6. THE MODES OF PAINTING --
7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING --
8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES --
9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING --
APPENDIX --
I. DESIGN IN TONE RELATIONS --
II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES --
III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES --
IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. --
BIBLIOGRAPHICAL NOTE --
PLATES
Format:Mode of access: Internet via World Wide Web.
ISBN:9780674863767
9783110353471
9783110353488
9783110442212
DOI:10.4159/harvard.9780674863767
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Arthur Pope.