Musical Form / / Hugo Leichtentritt.
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Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1951 |
Year of Publication: | 2013 |
Edition: | Reprint 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (467 p.) :; Zahlr. Notenbsp. |
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Table of Contents:
- Frontmatter
- preface
- contents
- PART ONE
- CHAPTER I. the regular construction of musical phrases
- CHAPTER II. irregularities in the construction of musical phrases
- CHAPTER III. the song forms and their application to the dance and march
- CHAPTER IV. Y the contrapuntal forms
- CHAPTER V. the suite
- CHAPTER VI. theme and variations
- CHAPTER VII. the rondo
- CHAPTER VIII. the sonata
- CHAPTER IX. the vocal forms
- PART TWO
- CHAPTER X. aesthetic ideas as the basis of musical styles and forms
- CHAPTER XI. logic and coherence in music
- CHAPTER XII. the accompaniment in its formal and stylistic significance
- CHAPTER XIII. the forms of unison music
- CHAPTER XIV. additional remarks on song form
- CHAPTER XV. the contrapuntal forms
- CHAPTER XVI. variation form
- CHAPTER XVII. sonata form
- CHAPTER XVIII. free forms
- CHAPTER XIX. concerto form
- CHAPTER XX. fantasy
- CHAPTER XXI. Anton Bruckner: the eighth symphony
- CHAPTER XXII. arnold schdnberg: opus 11 and opus 19
- CHAPTER XXIII. in conclusion