Musical Form / / Hugo Leichtentritt.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2013]
©1951
Year of Publication:2013
Edition:Reprint 2014
Language:English
Online Access:
Physical Description:1 online resource (467 p.) :; Zahlr. Notenbsp.
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Table of Contents:
  • Frontmatter
  • preface
  • contents
  • PART ONE
  • CHAPTER I. the regular construction of musical phrases
  • CHAPTER II. irregularities in the construction of musical phrases
  • CHAPTER III. the song forms and their application to the dance and march
  • CHAPTER IV. Y the contrapuntal forms
  • CHAPTER V. the suite
  • CHAPTER VI. theme and variations
  • CHAPTER VII. the rondo
  • CHAPTER VIII. the sonata
  • CHAPTER IX. the vocal forms
  • PART TWO
  • CHAPTER X. aesthetic ideas as the basis of musical styles and forms
  • CHAPTER XI. logic and coherence in music
  • CHAPTER XII. the accompaniment in its formal and stylistic significance
  • CHAPTER XIII. the forms of unison music
  • CHAPTER XIV. additional remarks on song form
  • CHAPTER XV. the contrapuntal forms
  • CHAPTER XVI. variation form
  • CHAPTER XVII. sonata form
  • CHAPTER XVIII. free forms
  • CHAPTER XIX. concerto form
  • CHAPTER XX. fantasy
  • CHAPTER XXI. Anton Bruckner: the eighth symphony
  • CHAPTER XXII. arnold schdnberg: opus 11 and opus 19
  • CHAPTER XXIII. in conclusion