Musical Form / / Hugo Leichtentritt.

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Superior document:Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2013]
©1951
Year of Publication:2013
Edition:Reprint 2014
Language:English
Online Access:
Physical Description:1 online resource (467 p.) :; Zahlr. Notenbsp.
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245 1 0 |a Musical Form /  |c Hugo Leichtentritt. 
250 |a Reprint 2014 
264 1 |a Cambridge, MA :   |b Harvard University Press,   |c [2013] 
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505 0 0 |t Frontmatter --   |t preface --   |t contents --   |t PART ONE --   |t CHAPTER I. the regular construction of musical phrases --   |t CHAPTER II. irregularities in the construction of musical phrases --   |t CHAPTER III. the song forms and their application to the dance and march --   |t CHAPTER IV. Y the contrapuntal forms --   |t CHAPTER V. the suite --   |t CHAPTER VI. theme and variations --   |t CHAPTER VII. the rondo --   |t CHAPTER VIII. the sonata --   |t CHAPTER IX. the vocal forms --   |t PART TWO --   |t CHAPTER X. aesthetic ideas as the basis of musical styles and forms --   |t CHAPTER XI. logic and coherence in music --   |t CHAPTER XII. the accompaniment in its formal and stylistic significance --   |t CHAPTER XIII. the forms of unison music --   |t CHAPTER XIV. additional remarks on song form --   |t CHAPTER XV. the contrapuntal forms --   |t CHAPTER XVI. variation form --   |t CHAPTER XVII. sonata form --   |t CHAPTER XVIII. free forms --   |t CHAPTER XIX. concerto form --   |t CHAPTER XX. fantasy --   |t CHAPTER XXI. Anton Bruckner: the eighth symphony --   |t CHAPTER XXII. arnold schdnberg: opus 11 and opus 19 --   |t CHAPTER XXIII. in conclusion 
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588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) 
650 0 |a Musical form. 
650 0 |a Musik. 
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