The Emergence of Cinematic Time : : Modernity, Contingency, the Archive / / Mary Ann Doane.
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, wer...
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Superior document: | Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013 |
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Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2002] ©2002 |
Year of Publication: | 2002 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (304 p.) |
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Table of Contents:
- Frontmatter
- Contents
- 1. The Representability of Time
- 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema
- 3. The Afterimage, the Index, and the Accessibility of the Present
- 4. Temporal Irreversibility and the Logic of Statistics
- 5. Dead Time, or the Concept of the Event
- 6. Zeno’s Paradox: The Emergence of Cinematic Time
- 7. The Instant and the Archive
- Notes
- Bibliography
- Index