The Emergence of Cinematic Time : : Modernity, Contingency, the Archive / / Mary Ann Doane.

Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, wer...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013
VerfasserIn:
Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2002]
©2002
Year of Publication:2002
Language:English
Online Access:
Physical Description:1 online resource (304 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • Contents
  • 1. The Representability of Time
  • 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema
  • 3. The Afterimage, the Index, and the Accessibility of the Present
  • 4. Temporal Irreversibility and the Logic of Statistics
  • 5. Dead Time, or the Concept of the Event
  • 6. Zeno’s Paradox: The Emergence of Cinematic Time
  • 7. The Instant and the Archive
  • Notes
  • Bibliography
  • Index