The Emergence of Cinematic Time : : Modernity, Contingency, the Archive / / Mary Ann Doane.
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, wer...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2002] ©2002 |
Year of Publication: | 2002 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (304 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780674263024 |
---|---|
ctrlnum |
(DE-B1597)589289 (OCoLC)1294423583 |
collection |
bib_alma |
record_format |
marc |
spelling |
Doane, Mary Ann, author. aut http://id.loc.gov/vocabulary/relators/aut The Emergence of Cinematic Time : Modernity, Contingency, the Archive / Mary Ann Doane. Cambridge, MA : Harvard University Press, [2002] ©2002 1 online resource (304 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- 1. The Representability of Time -- 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema -- 3. The Afterimage, the Index, and the Accessibility of the Present -- 4. Temporal Irreversibility and the Logic of Statistics -- 5. Dead Time, or the Concept of the Event -- 6. Zeno’s Paradox: The Emergence of Cinematic Time -- 7. The Instant and the Archive -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Time in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013 9783110442205 https://doi.org/10.4159/9780674263024?locatt=mode:legacy https://www.degruyter.com/isbn/9780674263024 Cover https://www.degruyter.com/document/cover/isbn/9780674263024/original |
language |
English |
format |
eBook |
author |
Doane, Mary Ann, Doane, Mary Ann, |
spellingShingle |
Doane, Mary Ann, Doane, Mary Ann, The Emergence of Cinematic Time : Modernity, Contingency, the Archive / Frontmatter -- Contents -- 1. The Representability of Time -- 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema -- 3. The Afterimage, the Index, and the Accessibility of the Present -- 4. Temporal Irreversibility and the Logic of Statistics -- 5. Dead Time, or the Concept of the Event -- 6. Zeno’s Paradox: The Emergence of Cinematic Time -- 7. The Instant and the Archive -- Notes -- Bibliography -- Index |
author_facet |
Doane, Mary Ann, Doane, Mary Ann, |
author_variant |
m a d ma mad m a d ma mad |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Doane, Mary Ann, |
title |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / |
title_sub |
Modernity, Contingency, the Archive / |
title_full |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / Mary Ann Doane. |
title_fullStr |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / Mary Ann Doane. |
title_full_unstemmed |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / Mary Ann Doane. |
title_auth |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / |
title_alt |
Frontmatter -- Contents -- 1. The Representability of Time -- 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema -- 3. The Afterimage, the Index, and the Accessibility of the Present -- 4. Temporal Irreversibility and the Logic of Statistics -- 5. Dead Time, or the Concept of the Event -- 6. Zeno’s Paradox: The Emergence of Cinematic Time -- 7. The Instant and the Archive -- Notes -- Bibliography -- Index |
title_new |
The Emergence of Cinematic Time : |
title_sort |
the emergence of cinematic time : modernity, contingency, the archive / |
publisher |
Harvard University Press, |
publishDate |
2002 |
physical |
1 online resource (304 p.) |
contents |
Frontmatter -- Contents -- 1. The Representability of Time -- 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema -- 3. The Afterimage, the Index, and the Accessibility of the Present -- 4. Temporal Irreversibility and the Logic of Statistics -- 5. Dead Time, or the Concept of the Event -- 6. Zeno’s Paradox: The Emergence of Cinematic Time -- 7. The Instant and the Archive -- Notes -- Bibliography -- Index |
isbn |
9780674263024 9783110442205 |
url |
https://doi.org/10.4159/9780674263024?locatt=mode:legacy https://www.degruyter.com/isbn/9780674263024 https://www.degruyter.com/document/cover/isbn/9780674263024/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/684 |
dewey-sort |
3791.43 3684 |
dewey-raw |
791.43/684 |
dewey-search |
791.43/684 |
doi_str_mv |
10.4159/9780674263024?locatt=mode:legacy |
oclc_num |
1294423583 |
work_keys_str_mv |
AT doanemaryann theemergenceofcinematictimemodernitycontingencythearchive AT doanemaryann emergenceofcinematictimemodernitycontingencythearchive |
status_str |
n |
ids_txt_mv |
(DE-B1597)589289 (OCoLC)1294423583 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013 |
is_hierarchy_title |
The Emergence of Cinematic Time : Modernity, Contingency, the Archive / |
container_title |
Title is part of eBook package: De Gruyter Harvard University Press eBook Package Backlist 2000-2013 |
_version_ |
1806143194502529024 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04061nam a22006375i 4500</leader><controlfield tag="001">9780674263024</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20221201113901.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221201t20022002mau fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674263024</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/9780674263024</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)589289</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294423583</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">mau</subfield><subfield code="c">US-MA</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/684</subfield><subfield code="2">21</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Doane, Mary Ann, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Emergence of Cinematic Time :</subfield><subfield code="b">Modernity, Contingency, the Archive /</subfield><subfield code="c">Mary Ann Doane.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, MA : </subfield><subfield code="b">Harvard University Press, </subfield><subfield code="c">[2002]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2002</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (304 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">1. The Representability of Time -- </subfield><subfield code="t">2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema -- </subfield><subfield code="t">3. The Afterimage, the Index, and the Accessibility of the Present -- </subfield><subfield code="t">4. Temporal Irreversibility and the Logic of Statistics -- </subfield><subfield code="t">5. Dead Time, or the Concept of the Event -- </subfield><subfield code="t">6. Zeno’s Paradox: The Emergence of Cinematic Time -- </subfield><subfield code="t">7. The Instant and the Archive -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Time in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Harvard University Press eBook Package Backlist 2000-2013</subfield><subfield code="z">9783110442205</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4159/9780674263024?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780674263024</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780674263024/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |